“Arte y medicina: 25 pintores se acercan a la infancia (de Murillo a Picasso)”<\/strong> (Art and medicine: 25 painters approach childhood (from Murillo to Picasso)), where he reviewed well-known works that approach children’s themes to analyse them from both a medical and artistic point of view.<\/p>\nThe academician began by quoting Murillo<\/strong> in his painting “La anciana despulgando a un ni\u00f1o y un perrito”<\/strong> (The old woman discarding a child and a puppy). Callabed defined him as a pioneer in Spanish painting in reflecting children enjoying freedom. From Goya<\/strong> reviewed the work “El garrotillo”<\/strong>(Diphtheria), which describes the drama of a father trying to tear the diphtheritic plates from his son’s throat. He also introduced realist painters like Fildes<\/strong>, Knaus<\/strong>, Cotman<\/strong>, Anker<\/strong>, Bouland<\/strong>, Bouguereau<\/strong> and Verhas<\/strong> in his exquisite painting “The Little Painter”<\/strong>, which he discovered on a visit to the museums of Ghent. All of them, he said, bring love to nature and respect, admiration and beauty to the children’s environment.<\/p>\nHe described the important contributions of Nordic painters such as Edelfelt<\/strong>, Ancher<\/strong>, Larsson<\/strong> and the Norwegian expressionist Munch<\/strong>. Among the painters of naturalist theme, he highlighted Millet<\/strong>, who in his painting “The first steps”<\/strong> reflects her love of the countryside and childhood. In the same way that Bastien-Lepage<\/strong>, in his “Little Shepherd”<\/strong>, reflects the drama of child labour. Callabed stopped at the work of Geoffroy “The Drop of Milk in Belleville and Dr. Variot”<\/strong>, which explains the historical origin of this institution of great value in maternal and child health created by L\u00e9on Dufour<\/strong> in F\u00e9camp (Normandy) and disseminated worldwide by Gaston Variot<\/strong> in 1906 at an international congress in Paris. In the Impressionist line he highlighted the artist Berthe Morisot<\/strong> with her work “The Cradle”<\/strong>.<\/p>\nHe finished his exhibition, which consisted of 100 images, with the painter Sorolla and “La salida del ba\u00f1o”<\/strong> (Leaving the bathroom) in which in full Mediterranean light he describes a delicate and familiar children’s print. Callabed concluded by considering that art is a privileged setting to capture the beauty, the psychology and the family, school, social and health environment of childhood.<\/p>\n <\/p>\n\n\t\t