{"id":180198,"date":"2026-02-06T16:33:00","date_gmt":"2026-02-06T16:33:00","guid":{"rendered":"https:\/\/raed.academy\/?p=180198"},"modified":"2026-02-11T15:24:33","modified_gmt":"2026-02-11T15:24:33","slug":"callabeds-reflections-on-goya-and-childhood","status":"publish","type":"post","link":"https:\/\/raed.academy\/en\/callabeds-reflections-on-goya-and-childhood\/","title":{"rendered":"Callabed\u2019s reflections on Goya and childhood"},"content":{"rendered":"
\"Dr.

Dr. Joaqu\u00edn Callabed<\/p><\/div>\n

Joaqu\u00edn Callabed<\/u><\/strong><\/em><\/a>, President of the Club of Social Pediatrics<\/strong>, Corresponding Member of the Real Academia de Medicina de Catalu\u00f1a<\/strong> and the Real Academia de Farmacia de Catalu\u00f1a<\/strong>, and Full Member and Vice President of the Health Sciences Section of the Royal European Academy of Doctors (READ)<\/strong>, is the subject of an interview published on November 29 in the digital edition of \u201cLa Vanguardia\u201d<\/strong>, of whose readers\u2019 community he is an active member. In the interview, he discusses several aspects of his latest publication, \u201cGoya\u2019s Views on Childhood\u201d<\/strong>, as well as some of his studies on the renowned Aragonese painter.<\/p>\n

In conversation with journalist Claudia Fuentes<\/strong>, the expert reflects on the social relevance of the work of Francisco de Goya<\/strong>, to the point of suggesting that, were the artist alive today, he would continue to denounce through his paintings the injustices affecting the most vulnerable\u2014especially children. The President of the Club of Social Pediatrics recalls that the painter did not idealize childhood, but rather portrayed with stark realism the poverty, inequality, and suffering of children in his time. From this critical perspective, he draws a parallel with today\u2019s reality, still marked by child poverty and child abuse, and argues that these problems remain unresolved challenges for society. For the academic, Goya\u2019s sensitivity and social commitment would lead him today to continue using art as a form of denunciation and as a call for attention to injustices that, despite the passage of centuries, have not disappeared\u2014if anything, they have merely been nuanced or transformed.<\/p>\n

\u201cI believe that everything he perceived as unequal in his time, he would still see today, albeit with different nuances. War, poverty\u2026 in Spain there are many areas where child poverty still exists. There is still child abuse, and that too he could continue to paint today. I believe he would not confine himself to the major cities; he would go to the outskirts and continue to portray social and everyday themes,\u201d he notes. Prior to this latest publication on the painter, Callabed had written numerous articles on Goya\u2019s figure and work, many of them in the digital edition of La Vanguardia<\/em>, and had also delivered several lectures on the subject. A year ago, at the READ, he addressed this same topic starting from the painter\u2019s well-known tapestry cartoons\u2014a set of works painted between 1775 and 1792 for the Royal Tapestry Factory of Santa B\u00e1rbara<\/strong>, in which Goya depicted scenes of children\u2019s games, portraits of children from the nobility, and socially themed works that combine the joy of childhood with a sharp denunciation of the inequalities of his time.<\/p>\n

\"\"Regarding his interest in Goya\u2014and more broadly in painting\u2014from a field such as pediatrics, Callabed explains that a medical leave due to a back problem led him to take some classes with the Catalan Watercolorists\u2019 Association<\/strong>. \u201cI spent some time there, very comfortably, and I have held a few watercolor exhibitions. I like to stress that one thing is to paint a picture and another is to be a painter,\u201d he explains. From there, appreciating the visual arts and relating them to his interest in the humanities and history in a broad sense was a natural progression. The Aragonese origin of the legendary painter and his own knowledge of the region, as well as shared ancestry, were additional factors that led him to focus on Goya\u2019s work.<\/p>\n

As for the genesis of the book in particular, he points to the people and circumstances that helped him along the way. \u201cSome time ago, the President of the Royal Academy of San Luis<\/strong> organized a Goya-themed tour in Zaragoza. We are good friends, and since he knew I was a pediatrician and that I had already published articles on Goya, he suggested that I speak about childhood in his works. I did so, and it was very well received by the public, so I began to give more lectures on the topic. The information kept growing, and the book emerged. Goya has been extensively studied\u2014his wars, the majas<\/em>\u2026 but very few have focused on this aspect. Goya is a son of the Enlightenment, and it holds that the child is a unique individual who deserves individualized treatment. Goya paints, among other things, children\u2019s games, but he does not see them merely as play; he also offers critique. We see barefoot children, ringworm on their heads, poverty, war\u2026 and he paints it all,\u201d he concludes.<\/p>\n

Read the interview<\/u><\/a><\/h3>\n","protected":false},"excerpt":{"rendered":"

Joaqu\u00edn Callabed is featured in an interview discussing aspects of his latest publication, “Las miradas de Goya a la infancia” (Goya’s Perspective on Childhood,) as well as some of his studies on the renowned Aragonese painter<\/p>\n","protected":false},"author":16,"featured_media":179904,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[177,231,497,243,402,405,434,482],"tags":[],"class_list":["post-180198","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-academicians-in-society","category-art-en","category-education-ethics-and-values-en-2","category-categ-history","category-history-of-art-and-cultural-heritage","category-national-history","category-paint","category-sociology","et-has-post-format-content","et_post_format-et-post-format-standard"],"yoast_head":"\nCallabed\u2019s 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