{"id":177449,"date":"2025-12-23T16:59:50","date_gmt":"2025-12-23T16:59:50","guid":{"rendered":"https:\/\/raed.academy\/?p=177449"},"modified":"2025-12-23T16:59:50","modified_gmt":"2025-12-23T16:59:50","slug":"the-living-nativity-of-corbera","status":"publish","type":"post","link":"https:\/\/raed.academy\/en\/the-living-nativity-of-corbera\/","title":{"rendered":"The living nativity of Corbera"},"content":{"rendered":"
\"Luis

Dr Luis Pons<\/p><\/div>\n

Luis Pons<\/strong><\/a>, a corresponding academic of the Royal European Academy of Doctors<\/strong> (READ), shares with the academic community the photo gallery \u00abThe Living Nativity of Corbera\u00bb<\/em><\/strong>, published last December 4 in the section \u00abReaders\u2019 Photos\u00bb<\/em><\/strong> of the digital edition of the newspaper \u00abLa Vanguardia\u00bb<\/em><\/strong>. One of the images from his previous photo gallery published in the same section, \u00abThe Colors of Autumn in the Montseny\u00bb,<\/em><\/strong> has been selected as one of the best photos of November. Pons explains that to carry out this work he had to forgo the use of flash and used a very fast lens suitable for low-light photography.<\/p>\n

\u00abThe town of Corbera de Llobregat fully commits to the representation of nativity scenes, with more than 200 participants and around fifty performances, in a blend consistent with Catalan and Hebrew traditions traditionally used in nativity scenes in Catalonia. The magic of Christmas arrives early thanks to this fantastic staging. The lighting and the human quality of the participants, together with the Association Pesebre Viviente Amigos de Corbera<\/em><\/strong>, have allowed me to create a photographic report that I wish to share with readers,\u00bb the author himself introduces his latest photo gallery.<\/p>\n

The academic is one of the regular photographers in this section, where he has published several photographic series on a wide range of themes that have been very well received by the newspaper\u2019s readers. Among his most recent galleries are \u00abThe Chupa Chups of the Collserola Tower,\u00bb<\/em> \u00abImages of the Sant Joan Eve Celebration,\u00bb<\/em> \u00abHow Were the New Year\u2019s Eve Fireworks Seen in Barcelona?\u00bb<\/em> \u00abA Guide to Identifying the Birds of Diagonal Mar,\u00bb<\/em> \u00abWhen the Moon Rises Next to the Gl\u00f2ries Tower,\u00bb<\/em> \u00abThe Creative Universe of Frida Kahlo, in Monochrome and in Color,\u00bb<\/em> \u00abAre Pickpockets Making a Comeback in Barcelona?\u00bb<\/em> \u00abDragonflies Return to Barcelona,\u00bb<\/em> \u00abThe Milky Way with Meteors in the Cerdanya,\u00bb<\/em> \u00abThe Settings of B\u00e9cquer\u2019s \u2018El rayo de luna\u2019,\u00bb<\/em> \u00abThe Buck Moon Settles over La R\u00e0pita,\u00bb<\/em> \u00abOmega Effect of the Moon in the Ebro Delta,\u00bb<\/em><\/strong> as well as the aforementioned and award-winning \u00abThe Colors of Autumn in the Montseny.\u00bb<\/em><\/p>\n

Luis Pons discovered photography in the 1980s, driven both by his interest in the chemical process involved in developing photographic prints and by his close ties with the photography sections of the newspapers \u00abEl Pa\u00eds\u00bb<\/em> and \u00abAvui\u00bb<\/em><\/strong>, where he worked as an executive, as he has explained to the academics who have followed his work closely in recent years. From there, he made the transition to digital photography.<\/p>\n