{"id":94693,"date":"2020-10-21T10:56:52","date_gmt":"2020-10-21T10:56:52","guid":{"rendered":"https:\/\/raed.academy\/?p=94693"},"modified":"2020-10-22T08:21:59","modified_gmt":"2020-10-22T08:21:59","slug":"musica-de-dones-compositores","status":"publish","type":"post","link":"https:\/\/raed.academy\/ca\/musica-de-dones-compositores\/","title":{"rendered":"M\u00fasica composta per dones"},"content":{"rendered":"

Pilar Bayer<\/em><\/strong><\/a>
\nCatedr\u00e0tica em\u00e8rita de la Universitat de Barcelona, \u200b\u200bfundadora del Seminari de Teoria de Nombres de Barcelona i acad\u00e8mica de n\u00famero de la Reial Acad\u00e8mia Europea de Doctors-Barcelona 1914 (RAED)<\/em><\/p>\n

\"Dra.

Dra. Pilar Bayer<\/p><\/div>\n

Pilar Bayer<\/strong>, catedr\u00e0tica em\u00e8rita de la Universitat de Barcelona<\/strong> i acad\u00e8mica de n\u00famero de la Reial Acad\u00e8mia Europea de Doctors-Barcelona 1914<\/strong> (RAED), protagonitzar\u00e0 el concert “M\u00fasica de dones compositores”<\/strong>, una miscel\u00b7l\u00e0nia de temes musicals cl\u00e0ssics i contemporanis compostos per dones, que se celebrar\u00e0 aquest 22 d’octubre dins del cicle “M\u00fasica al claustre de l’Institut d’Estudis Catalans”<\/strong>. La cita ser\u00e0 a les 19.30 h i tancar\u00e0 un conjunt de concerts de solistes i petites formacions que s’han dut a terme entre el setembre i l’octubre amb un aforament redu\u00eft a causa de la pand\u00e8mia.<\/p>\n

Bayer interpretar\u00e0 al piano un programa que parteix del segle XVIII i arriba al segle XXI partint de diversos moviments de la “Sonata n\u00famero 7”<\/strong> d’H\u00e9l\u00e8ne de Montgeroult<\/strong> (1764-1836), per seguir amb el “Lied per a piano n\u00famero 3”<\/strong> de Fanny Mendelssohn-Hensel<\/strong> (1805-1847); la “Polonesa en do major”<\/strong> de Clara Schumann<\/strong> (1819-1896), acompanyada de “Warum willst du and’re Fragen?”<\/strong>, sobre un poema de Friedrich R\u00fcckert<\/strong>; el “Vals en mi menor”<\/strong> de Wanda Landowska<\/strong> (1879-1959), la “Humoresca”<\/strong> de Mary Lou Williams<\/strong> (1910-1981) sobre un tema d’Anton\u00edn Dvor\u00e1k<\/strong>, acompanyada al seu torn d’“In a mist”<\/strong>, sobre un tema de Bix Beiderbeck<\/strong>e, i de “Lullaby in rhythm”<\/strong>, sobre un tema de Benny Goodman<\/strong>; “Ida Lupino”<\/strong>, de Carla Bley<\/strong> (1938); “La flor de la canela”<\/strong>, de Chabuca Granda<\/strong> (1920-1983); “Gracias a la vida”<\/strong>, de Violeta Parra<\/strong> (1917-1967); “Dos gardenias”<\/strong>, d’Isolina Carrillo<\/strong> (1907-1996), i per acabar amb els temes actuals “Totes s\u00f3c jo”<\/strong>, d’Ariadna Cabir\u00f3 Berenguer<\/strong> (1984) sobre un poema de Laura Pau<\/strong>; “Escenes de Tap\u00eds”<\/strong>, de Merc\u00e8 Torrents Turmo<\/strong> (1930-2018) sobre poemes de David Jou<\/strong>, acompanyada d’“Aquells mots de foc i cendra”<\/strong> i “Pensament d’enamorat”<\/strong>, i “Malamente”<\/strong>, de Rosalia Vila Tobella<\/strong> (1993 ).<\/p>\n

\"\"El cicle de concerts al claustre de l’Institut d’Estudis Catalans<\/strong> s’ha distribu\u00eft en una s\u00e8rie de sessions tem\u00e0tiques sempre inspirades en obres i esdeveniments d’\u00e8poques rellevants de la m\u00fasica catalana, sovint desconeguts o in\u00e8dits. El primer concert, dedicat a la creaci\u00f3 rom\u00e0ntica d’obres musicals per a veu i piano, va ser un homenatge a Matilde Escalas<\/strong> amb motiu del 150\u00e8 aniversari del naixement de la compositora catalana. A continuaci\u00f3, el concert “La Missa polif\u00f2nica a Catalunya (1360-1670)”<\/strong>, interpretat amb instruments d’\u00e8poca, va ser un testimoni art\u00edstic de l’esplendor de la polifonia catalana. El tercer concert va relacionar l’obra i l’\u00e8poca de Ludwig van Beethoven<\/strong> amb la visi\u00f3 del Romanticisme instrumental mitjan\u00e7ant peces de compositors catalans.<\/p>\n

La iniciativa compta amb la col\u00b7laboraci\u00f3 del Museu de la M\u00fasica de Barcelona<\/strong>, \u200b\u200bque cedeix instruments d’\u00e8poca. Aquest cicle va sorgir de la voluntat de recon\u00e8ixer i gaudir de la riquesa cultural i art\u00edstica de la tradici\u00f3 musical catalana, en un projecte que refor\u00e7a i permet compartir la identitat catalana amb la d’altres comunitats. El seu director \u00e9s Rom\u00e0 Escalas<\/strong>, music\u00f2leg, int\u00e8rpret i membre de la Secci\u00f3 Hist\u00f2rico-Arqueol\u00f2gica<\/strong> de la instituci\u00f3.<\/p>\n

 <\/p>\n

M\u00e9s informaci\u00f3<\/a><\/h3>\n","protected":false},"excerpt":{"rendered":"

Pilar Bayer protagonitzar\u00e0 el proper 22 d’octubre el concert de piano “M\u00fasica de dones compositores”, una miscel\u00b7l\u00e0nia de temes musicals cl\u00e0ssics i contemporanis<\/p>\n","protected":false},"author":12,"featured_media":94716,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[229,224],"tags":[],"class_list":["post-94693","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","category-concerts","et-has-post-format-content","et_post_format-et-post-format-standard"],"yoast_head":"\nM\u00fasica composta per dones - Reial Acad\u00e8mia Europea de Doctors<\/title>\n<meta name=\"description\" content=\"Pilar Bayer protagonitzar\u00e0 el proper 22 d'octubre el concert de piano "M\u00fasica de dones compositores", una miscel\u00b7l\u00e0nia de temes musicals cl\u00e0ssics i contemporanis\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/raed.academy\/ca\/musica-de-dones-compositores\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"M\u00fasica composta per dones - 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