{"id":178537,"date":"2026-01-16T09:19:17","date_gmt":"2026-01-16T09:19:17","guid":{"rendered":"https:\/\/raed.academy\/?p=178537"},"modified":"2026-01-16T09:19:17","modified_gmt":"2026-01-16T09:19:17","slug":"gaudi-i-la-sagrada-familia","status":"publish","type":"post","link":"https:\/\/raed.academy\/ca\/gaudi-i-la-sagrada-familia\/","title":{"rendered":"Gaud\u00ed i la Sagrada Fam\u00edlia"},"content":{"rendered":"
\"\"

De Guy Percival, en publicdomainpictures.net<\/a><\/p><\/div>\n

Armand Puig<\/strong><\/em><\/a>, president de l’Ag\u00e8ncia de Verificaci\u00f3 i Promoci\u00f3 de la Qualitat de l’Ensenyament a les Universitats i Facultats Eclesi\u00e0stiques<\/strong> i acad\u00e8mic en exced\u00e8ncia de la Reial Acad\u00e8mia Europea de Doctors<\/strong> (RAED), reflexiona en una entrevista publicada el passat 8 de gener a la reconeguda secci\u00f3 “La Contra”<\/strong> del diari “La Vanguardia”<\/strong> sobre la g\u00e8nesi de la bas\u00edlica de la Sagrada Fam\u00edlia de Barcelona per part d’Antoni Gaud\u00ed<\/strong>, descartant que el projecte sorg\u00eds del taller de l’emblem\u00e0tic arquitecte i emblema del modernisme catal\u00e0 des de zero, i situa el seu origen a projectes previs que ja contemplaven la construcci\u00f3 d’un temple monumental. Puig ha abordat profusament la figura i les creacions de Gaud\u00ed a la seva recent obra “Antoni Gaud\u00ed, vida i obra”<\/strong> (Arpa).<\/p>\n

\"Armand

Dr. Armand Puig<\/p><\/div>\n

En conversa amb el periodista Llu\u00eds Amiguet<\/strong>, l’autor recorda que el projecte original, iniciat el 1882, va ser obra de l’arquitecte Francisco de Paula del Villar<\/strong>, que va plantejar una esgl\u00e9sia d’estil neog\u00f2tic, molt diferent del que despr\u00e9s va desenvolupar Gaud\u00ed. Quan l’arquitecte de Reus va assumir la direcci\u00f3 el 1883, va adoptar el projecte, per\u00f2 el va transformar radicalment, dotant-lo d’una ambici\u00f3 arquitect\u00f2nica revolucion\u00e0ria que el convertiria en una s\u00edntesi d’art, geometria i simbolisme religi\u00f3s. Puig destaca que Gaud\u00ed no nom\u00e9s va canviar l’estil, sin\u00f3 que va afegir un sistema estructural i conceptual absolutament innovador, basat en formes naturals i un \u00fas pioner d’estructures hiperboloidals, paraboloides i tensors que anticipaven les t\u00e8cniques modernes.<\/p>\n

L’acad\u00e8mic subratlla que la Sagrada Fam\u00edlia \u00e9s, per tant, el resultat d’un di\u00e0leg hist\u00f2ric entre diferents idees, influ\u00e8ncies i etapes. L’arquitecte original va fixar la intenci\u00f3 de construir un temple, per\u00f2 va ser Gaud\u00ed qui li va imprimir una visualitat, un simbolisme i una l\u00f2gica constructiva que l’eleven a icona universal, abandonant la resta de projectes i dedicant-se en cos i \u00e0nima a aquest. “Abandona totes les altres obres i es queda amb la Sagrada Fam\u00edlia, perqu\u00e8 vol que sigui la m\u00e0xima perfecci\u00f3 possible sabent que ell no l’acabar\u00e0, perqu\u00e8 \u00e9s impossible. Ho sabia i per aix\u00f2 deia que ‘l’amo d’aquesta obra no t\u00e9 pressa’. Era conscient que havia de donar les pautes perqu\u00e8 ho poguessin fer b\u00e9 sense ell. Gaud\u00ed ja era conscient que no se li resistia cap projecte. I que era capa\u00e7 de donar a cada obra una personalitat pr\u00f2pia, \u00fanica i incomparable. Quan comparem la casa Batll\u00f3 amb la Pedrera veiem que no s’assemblen en res, quan nom\u00e9s passen cinc anys entre una i una altra”, explica Puig.<\/p>\n

En aquest sentit, l’acad\u00e8mic considera que, malgrat les dificultats materials i financeres, incloses les interrupcions per guerres i crisi, l’obra sempre va comptar amb una continu\u00eftat meditadament reformulada per cada generaci\u00f3 d’arquitectes que va seguir Gaud\u00ed. L’historiador rebutja les versions llegend\u00e0ries que idealitzen Gaud\u00ed com un creador solitari i gaireb\u00e9 inspiradament m\u00edstic. En canvi, el presenta com un professional amb s\u00f2lida formaci\u00f3, coneixedor tant de la tradici\u00f3 g\u00f2tica com dels corrents constructius del seu temps, capa\u00e7 de sintetitzar coneixements i tecnologies emergents en un \u00fanic llenguatge arquitect\u00f2nic.<\/p>\n

\"Antoni

Antoni Gaud\u00ed<\/p><\/div>\n

Puig va ser rector de l’Ateneu Universitari Sant Paci\u00e0 i del Seminari Major Interdioces\u00e0 de Catalunya<\/strong> fins que va ser nomenat pel papa Francesc<\/strong> m\u00e0xim representant de l’organisme que vetlla per la qualitat dels centres i ensenyaments a les universitats i facultats eclesi\u00e0stiques de tot el m\u00f3n i va traslladar la seva resid\u00e8ncia a Roma. Antic rector de la bas\u00edlica dels Sants M\u00e0rtirs Just i Pastor de Barcelona, l’acad\u00e8mic destaca pels seus profunds coneixements b\u00edblics i \u00e9s autor de m\u00e9s d’una desena de llibres. \u00c9s doctor en Ci\u00e8ncies B\u00edbliques per la Pontif\u00edcia Comissi\u00f3 B\u00edblica de Roma<\/strong>. Va ser deg\u00e0 de la Facultat de Teologia de Catalunya<\/strong> entre el 2006 i el 2015, d’on \u00e9s professor ordinari de Nou Testament, i deg\u00e0 de la Facultat Antoni Gaud\u00ed d’Hist\u00f2ria de l’Esgl\u00e9sia, Arqueologia i Arts Cristianes<\/strong> entre el 2014 i el 2015.<\/p>\n

A la seva tasca docent i investigadora suma una gran capacitat divulgativa que desenvolupa a tota mena de confer\u00e8ncies dirigides a un p\u00fablic general i mitjan\u00e7ant les seves col\u00b7laboracions habituals al diari “El Peri\u00f3dico”<\/strong> sobre temes d’actualitat relacionats amb l’Esgl\u00e9sia en un sentit ampli. Els camps principals de la seva investigaci\u00f3 b\u00edblica han estat els evangelis sin\u00f2ptics, els Fets dels Ap\u00f2stols, la Primera Carta de Pere i les versions b\u00edbliques catalanes medievals. Durant onze anys va coordinar l\u2019equip de traducci\u00f3 de la “B\u00edblia Catalana Interconfessional”<\/strong>, publicada el 1993. Tamb\u00e9 ha publicat un estudi biblicoteol\u00f2gic sobre les “Homilies d’Organy\u00e0”<\/strong> (Barcino) i va coordinar el llibre “La terra i la llavor. L’Esgl\u00e9sia catalana a l’inici del mil\u00b7lenni”<\/strong> (Proa). La seva obra “Jes\u00fas. Un perfil hist\u00f2ric”<\/strong> (Proa) ha assolit sis edicions en catal\u00e0 i ha estat tradu\u00efda al castell\u00e0, roman\u00e8s, portugu\u00e8s i itali\u00e0.<\/p>\n

Llegiu l’entrevista<\/a><\/h2>\n","protected":false},"excerpt":{"rendered":"

Armand Puig reflexiona sobre la g\u00e8nesi de la bas\u00edlica de la Sagrada Fam\u00edlia de Barcelona, \u200b\u200bdescartant que el projecte sorg\u00eds del taller d’Antoni Gaud\u00ed, i en situa l’origen en projectes previs que ja contemplaven la construcci\u00f3 d’un temple monumental<\/p>\n","protected":false},"author":12,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[478,229,401,252],"tags":[],"class_list":["post-178537","post","type-post","status-publish","format-standard","hentry","category-arquitectura-ca","category-art","category-historia-de-lart-i-patrimoni-cultural","category-teologia-ca","et-doesnt-have-format-content","et_post_format-et-post-format-standard"],"yoast_head":"\nGaud\u00ed i la Sagrada Fam\u00edlia - Reial Acad\u00e8mia Europea de Doctors<\/title>\n<meta name=\"description\" content=\"Armand Puig reflexiona sobre la g\u00e8nesi de la bas\u00edlica de la Sagrada Fam\u00edlia de Barcelona, \u200b\u200bdescartant que el projecte sorg\u00eds del taller d'Antoni Gaud\u00ed\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/raed.academy\/ca\/gaudi-i-la-sagrada-familia\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Gaud\u00ed i la Sagrada Fam\u00edlia - 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D’altra banda, Puig participar\u00e0 el pr\u00f2xim 12 de febrer en la segona sessi\u00f3 del cicle “Interpretacions teol\u00f2giques de la torre de Jesucrist de la Sagrada Fam\u00edlia”<\/strong> que organitza l’Ateneu Universitari Sant Paci\u00e0<\/strong> amb la pon\u00e8ncia “Eix eclesiol\u00f2gic de la torre”<\/strong>, que oferir\u00e0 al costat de Joan Torra<\/strong>, rector de l’Ateneu. A les jornades tamb\u00e9 han participat Jordi Faul\u00ed<\/strong>, arquitecte director de les obres del temple, i Francesc Torralba<\/strong><\/em><\/a>, director de la C\u00e0tedra Ethos d’\u00c8tica Aplicada<\/strong> de la Universitat Ramon Llull<\/strong> i de la C\u00e0tedra de Pensament Cristi\u00e0<\/strong> del Bisbat d’Urgell<\/strong>, membre del Dicasteri de Cultura i Educaci\u00f3<\/strong> de la Santa Seu i acad\u00e8mic numerari de la RAED. De fet, a l’hora de simbolitzar l’espai interior d’aquesta torre, la Comissi\u00f3 Teol\u00f2gica<\/strong> de les obres, en coher\u00e8ncia amb tota l’harmonia de la bas\u00edlica i el sentit de la torre, ha volgut convertir l’ascens fins a la creu mirador en una mistagogia, en un proc\u00e9s d’iniciaci\u00f3.<\/p>\n