Jos\u00e9 Mateo Ycardo<\/strong>, divulgador a l’\u00e0mbit de les Ci\u00e8ncies Socials i autor de diversos llibres sobre les seves mat\u00e8ries d’estudi.<\/p>\nA trav\u00e9s de 25 pintures ic\u00f2niques d’artistes espanyols i europeus posteriors al segle XVIII sobre la infantesa en el seu entorn familiar i social, els dos experts van presentar l’evoluci\u00f3 que ha experimentat la visi\u00f3 de la infantesa al llarg de les \u00e8poques moderna i contempor\u00e0nia, des de la Il\u00b7lustraci\u00f3 anglesa, francesa i alemanya, amb figures com John Locke<\/strong>, David Hume<\/strong>, Voltaire<\/strong>, Denis Diderot<\/strong>, Jean-Jacques Rousseau<\/strong> o Johann Heinrich Pestalozzi<\/strong>, en un context hist\u00f2ric en qu\u00e8 el nen adquireix drets i un nou estatus social, a la mirada contempor\u00e0nia. En aquest tr\u00e0nsit, el menor adquireix l’estatus de subjecte-persona irrepetible que mereix un tractament individualitzat i personalitzat, com b\u00e9 reflecteix la pintura de cada \u00e8poca, que mostra l’inter\u00e8s per l’educaci\u00f3, la salut, el joc i el vincle maternal i familiar.<\/p>\n“La infantesa assoleix una nova consideraci\u00f3 social i es reflecteix amb nitidesa en la representaci\u00f3 art\u00edstica a partir dels segles XVIII i XIX, despr\u00e9s de llargs per\u00edodes amb escassa pres\u00e8ncia. Els aven\u00e7os cient\u00edfics, les millores sanit\u00e0ries, socials i educatives que aporta la Il\u00b7lustraci\u00f3 repercuteixen en la infantesa i queda reflectit a l’art de l’\u00e8poca, a les escoles, el treball infantil, el paper de les dides i les institucions per a la salut infantil i maternal. Els segles XVIII i XIX a Fran\u00e7a, aix\u00ed com a Anglaterra i Alemanya, \u00e9s un moment important en la representaci\u00f3 art\u00edstica de la infantesa com a reflex de la societat d’aquell moment, en el qual els nens s\u00f3n considerats com ciutadans, persones amb drets, i se’ls ofereixen mesures educatives i sanit\u00e0ries de forma progressiva”, van explicar els ponents.<\/p>\n
L’an\u00e0lisi de Callabed i Mateo Ycardo va comen\u00e7ar a l’obra “La anciana despulgando a un ni\u00f1o y un perrito”<\/strong>, de Bartolom\u00e9 Esteban Murillo<\/strong>, considerat un pioner a la pintura espanyola en reflectir nens gaudint en llibertat, i va continuar amb “El garrotillo”<\/strong>, de Francisco de Goya<\/strong>, que descriu amb estil lliure rom\u00e0ntic el drama d’un pare que intenta arrencar les plaques dift\u00e8riques del coll del seu fill. Aix\u00ed mateix es van presentar les pintures de Luke Fildes “El doctor”<\/strong>, que descriu el dram\u00e0tic realisme social victori\u00e0; la de Ludwig Knaus “A l’escola”<\/strong>, que aporta amb realisme cr\u00edtic alemany una escena escolar; la de Jan Verhas “El petit pintor”<\/strong>, que presenta a un jove artista; la d’Albert Anker “El germanet”<\/strong>, tamb\u00e9 en estil realista, o la de William-Adolphe Bouguereau “Amor a la infantesa”<\/strong>, al seu cas amb estil acad\u00e8mic franc\u00e8s.<\/p>\nEntre els pintors d’est\u00e8tica naturalista que van reflectir la infantesa, els ponents van destacar Jean-Fran\u00e7ois Millet<\/strong>, que en el seu quadre “Els primers passos”<\/strong> reflecteix el seu amor al camp i a la infantesa. A m\u00e9s de Jules Bastien-Lepage<\/strong>, qui al seu “Pastoret”<\/strong> den\u00fancia el treball infantil, molt est\u00e8s a l’\u00e8poca; a Virginie Demont Breton<\/strong>, amb la seva obra “Fills a la platja”<\/strong>; a Jean-Eug\u00e8ne Buland<\/strong> i el seu “L’amor dels pares”<\/strong>; a Jean-Jules Geoffroy<\/strong>, amb la seva tela “La Gota de Llet a Belleville del Dr. Variot”<\/strong>, que explica l’origen hist\u00f2ric d’aquesta instituci\u00f3 de gran valor en la salut maternoinfantil creada per L\u00e9on Dufour<\/strong> a F\u00e9camp (Normandia) i difosa a nivell mundial per Gaston Variot<\/strong> el 1906 en un congr\u00e9s internacional a Par\u00eds.<\/p>\nPel que fa a la pintura impressionista, les obres seleccionades van ser “El\u00a0bressol”<\/strong>, de\u00a0Berthe Morisot<\/strong>; “El bany infantil”<\/strong>, de\u00a0Mary Cassat<\/strong>, i “La vacunaci\u00f3 infantil”<\/strong>, d’Anna Ancher<\/strong>. Del realisme naturalista n\u00f2rdic, els experts van presentar “Nens a la platja”<\/strong>, d’Albert Edelfelt<\/strong>, i “Maternitat”<\/strong>, de Carl Larsson<\/strong>. Se’ls va sumar el reconegut expressionista noruec Edvard Munch<\/strong>, amb “La nena malalta”<\/strong>. M\u00e9s enll\u00e0 de les escoles art\u00edstiques, la presentaci\u00f3 va concloure amb els pintors espanyols Joaqu\u00edn Sorolla<\/strong> i “La salida del ba\u00f1o”<\/strong>, una delicada i familiar estampa infantil, i Pablo Picasso<\/strong>, amb “Maternidad rosa”<\/strong>.<\/p>\n[\/et_pb_text][et_pb_divider show_divider=”off” admin_label=”Separador” _builder_version=”4.27.5″ _module_preset=”default” width=”50px” locked=”off” global_colors_info=”{}”][\/et_pb_divider][et_pb_gallery gallery_ids=”177326,177329″ posts_number=”2″ show_title_and_caption=”off” show_pagination=”off” module_class=”galeria-pad-1″ _builder_version=”4.27.5″ _module_preset=”default” custom_css_gallery_item=”width: 50% !important;||margin: 0 !important;||clear: none !important;” locked=”off” global_colors_info=”{}”][\/et_pb_gallery][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"
A trav\u00e9s de 25 pintures ic\u00f2niques d’artistes espanyols i europeus posteriors al segle XVIII sobre la inf\u00e0ncia al seu entorn familiar i social, Joaqu\u00edn Callabed i Jos\u00e9 Mateo Ycardo presenten l’evoluci\u00f3 que ha experimentat l’an\u00e0lisi de la inf\u00e0ncia al llarg de les \u00e8poques moderna i contempor\u00e0nia<\/p>\n","protected":false},"author":12,"featured_media":176699,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"La Reial Acad\u00e8mia Europea de\u00a0Doctors<\/strong> (RAED) va celebrar el passat 17 de desembre la sessi\u00f3 \"25 pintors miren a la infantesa. De Murillo a Picasso\"<\/strong>, protagonitzada per Joaqu\u00edn Callabed<\/strong><\/em><\/a>, president del Club de Pediatria Social<\/strong>, acad\u00e8mic corresponent de la Reial Acad\u00e8mia de Medicina de Catalunya<\/strong> i de la Reial Acad\u00e8mia de Farm\u00e0cia de Catalunya<\/strong> i acad\u00e8mic de n\u00famero i vicepresident de la Secci\u00f3 de Ci\u00e8ncies de la Salut de la RAED, i Jos\u00e9 Mateo Ycardo<\/strong>, divulgador a l'\u00e0mbit de les Ci\u00e8ncies Socials i autor de diversos llibres sobre les seves mat\u00e8ries d'estudi.\r\n\r\nA trav\u00e9s de 25 pintures ic\u00f2niques d'artistes espanyols i europeus posteriors al segle XVIII sobre la infantesa en el seu entorn familiar i social, els dos experts van presentar l'evoluci\u00f3 que ha experimentat la visi\u00f3 de la infantesa al llarg de les \u00e8poques moderna i contempor\u00e0nia, des de la Il\u00b7lustraci\u00f3 anglesa, francesa i alemanya, amb figures com John Locke<\/strong>, David Hume<\/strong>, Voltaire<\/strong>, Denis Diderot<\/strong>, Jean-Jacques Rousseau<\/strong> o Johann Heinrich Pestalozzi<\/strong>, en un context hist\u00f2ric en qu\u00e8 el nen adquireix drets i un nou estatus social, a la mirada contempor\u00e0nia. En aquest tr\u00e0nsit, el menor adquireix l'estatus de subjecte-persona irrepetible que mereix un tractament individualitzat i personalitzat, com b\u00e9 reflecteix la pintura de cada \u00e8poca, que mostra l'inter\u00e8s per l'educaci\u00f3, la salut, el joc i el vincle maternal i familiar.\r\n\r\n\"La infantesa assoleix una nova consideraci\u00f3 social i es reflecteix amb nitidesa en la representaci\u00f3 art\u00edstica a partir dels segles XVIII i XIX, despr\u00e9s de llargs per\u00edodes amb escassa pres\u00e8ncia. Els aven\u00e7os cient\u00edfics, les millores sanit\u00e0ries, socials i educatives que aporta la Il\u00b7lustraci\u00f3 repercuteixen en la infantesa i queda reflectit a l'art de l'\u00e8poca, a les escoles, el treball infantil, el paper de les dides i les institucions per a la salut infantil i maternal. Els segles XVIII i XIX a Fran\u00e7a, aix\u00ed com a Anglaterra i Alemanya, \u00e9s un moment important en la representaci\u00f3 art\u00edstica de la infantesa com a reflex de la societat d'aquell moment, en el qual els nens s\u00f3n considerats com ciutadans, persones amb drets, i se'ls ofereixen mesures educatives i sanit\u00e0ries de forma progressiva\", van explicar els ponents.\r\n\r\nL'an\u00e0lisi de Callabed i Mateo Ycardo va comen\u00e7ar a l'obra \"La anciana despulgando a un ni\u00f1o y un perrito\"<\/strong>, de Bartolom\u00e9 Esteban Murillo<\/strong>, considerat un pioner a la pintura espanyola en reflectir nens gaudint en llibertat, i va continuar amb \"El garrotillo\"<\/strong>, de Francisco de Goya<\/strong>, que descriu amb estil lliure rom\u00e0ntic el drama d'un pare que intenta arrencar les plaques dift\u00e8riques del coll del seu fill. Aix\u00ed mateix es van presentar les pintures de Luke Fildes \"El doctor\"<\/strong>, que descriu el dram\u00e0tic realisme social victori\u00e0; la de Ludwig Knaus \"A l'escola\"<\/strong>, que aporta amb realisme cr\u00edtic alemany una escena escolar; la de Jan Verhas \"El petit pintor\"<\/strong>, que presenta a un jove artista; la d'Albert Anker \"El germanet\"<\/strong>, tamb\u00e9 en estil realista, o la de William-Adolphe Bouguereau \"Amor a la infantesa\"<\/strong>, al seu cas amb estil acad\u00e8mic franc\u00e8s.\r\n\r\nEntre els pintors d'est\u00e8tica naturalista que van reflectir la infantesa, els ponents van destacar Jean-Fran\u00e7ois Millet<\/strong>, que en el seu quadre \"Els primers passos\"<\/strong> reflecteix el seu amor al camp i a la infantesa. A m\u00e9s de Jules Bastien-Lepage<\/strong>, qui al seu \"Pastoret\"<\/strong> den\u00fancia el treball infantil, molt est\u00e8s a l'\u00e8poca; a Virginie Demont Breton<\/strong>, amb la seva obra \"Fills a la platja\"<\/strong>; a Jean-Eug\u00e8ne Buland<\/strong> i el seu \"L'amor dels pares\"<\/strong>; a Jean-Jules Geoffroy<\/strong>, amb la seva tela \"La Gota de Llet a Belleville del Dr. Variot\"<\/strong>, que explica l'origen hist\u00f2ric d'aquesta instituci\u00f3 de gran valor en la salut maternoinfantil creada per L\u00e9on Dufour<\/strong> a F\u00e9camp (Normandia) i difosa a nivell mundial per Gaston Variot<\/strong> el 1906 en un congr\u00e9s internacional a Par\u00eds.\r\n\r\nPel que fa a la pintura impressionista, les obres seleccionades van ser \"El\u00a0bressol\"<\/strong>, de\u00a0Berthe Morisot<\/strong>; \"El bany infantil\"<\/strong>, de\u00a0Mary Cassat<\/strong>, i \"La vacunaci\u00f3 infantil\"<\/strong>, d'Anna Ancher<\/strong>. Del realisme naturalista n\u00f2rdic, els experts van presentar \"Nens a la platja\"<\/strong>, d'Albert Edelfelt<\/strong>, i \"Maternitat\"<\/strong>, de Carl Larsson<\/strong>. Se'ls va sumar el reconegut expressionista noruec Edvard Munch<\/strong>, amb \"La nena malalta\"<\/strong>. M\u00e9s enll\u00e0 de les escoles art\u00edstiques, la presentaci\u00f3 va concloure amb els pintors espanyols Joaqu\u00edn Sorolla<\/strong> i \"La salida del ba\u00f1o\"<\/strong>, una delicada i familiar estampa infantil, i Pablo Picasso<\/strong>, amb \"Maternidad rosa\"<\/strong>.","_et_gb_content_width":"","footnotes":""},"categories":[229,496,401,433,481,492],"tags":[],"class_list":["post-177285","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","category-educacio-etica-i-valors-ca","category-historia-de-lart-i-patrimoni-cultural","category-pintura-ca","category-sociologia-ca","category-trobades-cientifiques-i-congressos","et-has-post-format-content","et_post_format-et-post-format-standard"],"yoast_head":"\nLa infantesa, a la mirada dels grans pintors - Reial Acad\u00e8mia Europea de Doctors<\/title>\n<meta name=\"description\" content=\"Joaqu\u00edn Callabed i Jos\u00e9 Mateo Ycardo presenten l'evoluci\u00f3 de l'an\u00e0lisi de 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