{"id":148684,"date":"2024-05-09T16:18:59","date_gmt":"2024-05-09T16:18:59","guid":{"rendered":"https:\/\/raed.academy\/?p=148684"},"modified":"2024-05-10T09:05:07","modified_gmt":"2024-05-10T09:05:07","slug":"la-veu-lirica-al-llarg-de-la-historia","status":"publish","type":"post","link":"https:\/\/raed.academy\/ca\/la-veu-lirica-al-llarg-de-la-historia\/","title":{"rendered":"La veu l\u00edrica, al llarg de la hist\u00f2ria"},"content":{"rendered":"

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H\u00e9ctor Guerrero<\/strong><\/a>, doctor en Arts, ha ingressat com a acad\u00e8mic de n\u00famero de la Reial Acad\u00e8mia Europea de Doctors-Barcelona 1914<\/strong> (RAED) durant una solemne cerim\u00f2nia que s’ha celebrat aquest dijous, 9 de maig, a Foment del Treball<\/strong>, seu de l’Acad\u00e8mia. L’acte s’ha pogut seguir tant de manera presencial com en streaming a trav\u00e9s del canal de YouTube<\/strong> de la RAED, on es pot visionar. El recipiendari ha llegit el discurs d’ingr\u00e9s “Analecta sem\u00e1ntica y etimol\u00f3gica del t\u00e9rmino ‘vox’ en la Edad Media”<\/strong><\/a>. Li ha respost en nom de la Reial Corporaci\u00f3 l’acad\u00e8mica de n\u00famero i vicepresidenta Maria \u00c0ngels Calvo<\/strong><\/em><\/a>. Especialista en la interpretaci\u00f3 vocal i instrumental, el nou acad\u00e8mic \u00e9s professor superior de Cant pel Reial Conservatori Superior de M\u00fasica de Madrid<\/strong> i professor superior de Piano i M\u00fasica de Cambra pel Conservatori Superior de M\u00fasica del Principat d’Ast\u00faries<\/strong>.<\/p>\n

Al seu discurs, Guerrero aborda l’evoluci\u00f3 de la m\u00fasica des de l’Antiguitat fins al segle XVIII, centrant-se en la import\u00e0ncia de la veu, les lletres i els signes musicals. Per aix\u00f2 esmenta tractats antics de cant pla i te\u00f2rics com Johannes de Garl\u00e0ndia<\/strong>, Heinrich Faber<\/strong> i Juan Bermudo<\/strong>, aix\u00ed com la influ\u00e8ncia de reconegudes figures com ara Ignacio Gali<\/strong> en la composici\u00f3 musical. L’expert exposa la dualitat sem\u00e0ntica del terme ‘vox’ al llarg de la hist\u00f2ria, des de fonts medievals fins a diccionaris moderns, ressaltant-ne l’evoluci\u00f3 i la precisi\u00f3 en les definicions. Aix\u00ed mateix, explora la representaci\u00f3 de les veus en la m\u00fasica antiga a trav\u00e9s de lletres i la import\u00e0ncia de la notaci\u00f3 musical en la fixaci\u00f3 del contingut musical. Guerrero analitza a m\u00e9s la relaci\u00f3 entre la veu, els sons i l’escriptura musical, destacant la rellev\u00e0ncia de la modulaci\u00f3 vocal al teatre per oferir una visi\u00f3 \u00e0mplia i detallada sobre l’evoluci\u00f3 de la m\u00fasica, la veu i la notaci\u00f3 musical al llarg de la hist\u00f2ria.<\/p>\n

“En la lexicografia musical del passat hi ha termes que, per comprendre’ls, exigeixen un estudi sem\u00e0ntic que ens permeti poder interpretar-los ling\u00fc\u00edsticament, est\u00e8ticament i funcionalment. Precisament aix\u00f2 \u00e9s el que passa quan ens enfrontem a la investigaci\u00f3 del terme ‘vox’, veu en fonts medievals. La dualitat sem\u00e0ntica afecta fins i tot tractats musicals dels segles XVIII i XIX, \u00e8poca en qu\u00e8 es comencen a fixar amb gran precisi\u00f3 les definicions de cadascun dels termes que conformen una obra musical”, explica l’expert al seu discurs d’ingr\u00e9s a la RAED.<\/p>\n

Guerrero ha format part del Cor Nacional d’Espanya<\/strong>, ha fet enregistraments per a RTVE<\/strong>, RNE<\/strong>, UER<\/strong> i Radio Gallega<\/strong>. Paral\u00b7lelament a la seva carrera art\u00edstica i de recerca, t\u00e9 una \u00e0mplia experi\u00e8ncia com a docent als principals centres educatius d’ensenyaments art\u00edstics d’Espanya, com ara el Reial Conservatori Superior de M\u00fasica de Madrid, l’Escola Superior de Cant<\/strong> i, actualment, el Conservatori Professional de M\u00fasica Arturo Soria de Madrid<\/strong>, on \u00e9s cap de Departament. Ha estat responsable de les assignatures de Cant, Cant Hist\u00f2ric, Repertori Vocal i Did\u00e0ctica. Ha impartit classes magistrals de cant als conservatoris superiors de Ven\u00e8cia, Lecce, Fermo, Bolonya, Porto i a la Universitat de Lahti<\/strong> (Finl\u00e0ndia).<\/p>\n

Discurs: Analecta sem\u00e0ntica i etimol\u00f2gica del terme ‘vox’ a l’Edat Mitjana<\/a><\/h2>\n

 <\/p>\n

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H\u00e9ctor Guerrero aborda, durant el seu ingr\u00e9s com a Acad\u00e8mic de la RAED, l’evoluci\u00f3 de la m\u00fasica des de l’Antiguitat fins al segle XVIII, centrant-se en la import\u00e0ncia de la veu, les lletres i els signes musicals<\/p>\n","protected":false},"author":12,"featured_media":147471,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"H\u00e9ctor Guerrero<\/strong>, doctor en Arts, ha ingressat com a acad\u00e8mic de n\u00famero de la Reial Acad\u00e8mia Europea de Doctors-Barcelona 1914<\/strong> (RAED) durant una solemne cerim\u00f2nia que s'ha celebrat aquest dijous, 9 de maig, a Foment del Treball<\/strong>, seu de l'Acad\u00e8mia. L'acte s'ha pogut seguir tant de manera presencial com en streaming a trav\u00e9s del canal de YouTube<\/strong> de la RAED, on es pot visionar. El recipienari ha llegit el discurs d'ingr\u00e9s \"Analecta sem\u00e1ntica y etimol\u00f3gica del t\u00e9rmino 'vox' en la Edad Media\"<\/strong>. Li ha respost en nom de la Reial Corporaci\u00f3 l'acad\u00e8mica de n\u00famero i vicepresidenta Maria \u00c0ngels Calvo<\/strong><\/em><\/a>. Especialista en la interpretaci\u00f3 vocal i instrumental, el nou acad\u00e8mic \u00e9s professor superior de Cant pel Reial Conservatori Superior de M\u00fasica de Madrid<\/strong> i professor superior de Piano i M\u00fasica de Cambra pel Conservatori Superior de M\u00fasica del Principat d'Ast\u00faries<\/strong>.\r\n\r\nAl seu discurs, Guerrero aborda l'evoluci\u00f3 de la m\u00fasica des de l'Antiguitat fins al segle XVIII, centrant-se en la import\u00e0ncia de la veu, les lletres i els signes musicals. Per aix\u00f2 esmenta tractats antics de cant pla i te\u00f2rics com Johannes de Garl\u00e0ndia<\/strong>, Heinrich Faber<\/strong> i Juan Bermudo<\/strong>, aix\u00ed com la influ\u00e8ncia de reconegudes figures com ara Ignacio Gali<\/strong> en la composici\u00f3 musical. L'expert exposa la dualitat sem\u00e0ntica del terme 'vox' al llarg de la hist\u00f2ria, des de fonts medievals fins a diccionaris moderns, ressaltant-ne l'evoluci\u00f3 i la precisi\u00f3 en les definicions. Aix\u00ed mateix, explora la representaci\u00f3 de les veus en la m\u00fasica antiga a trav\u00e9s de lletres i la import\u00e0ncia de la notaci\u00f3 musical en la fixaci\u00f3 del contingut musical. Guerrero analitza a m\u00e9s la relaci\u00f3 entre la veu, els sons i l'escriptura musical, destacant la rellev\u00e0ncia de la modulaci\u00f3 vocal al teatre per oferir una visi\u00f3 \u00e0mplia i detallada sobre l'evoluci\u00f3 de la m\u00fasica, la veu i la notaci\u00f3 musical al llarg de la hist\u00f2ria.\r\n\r\n\"En la lexicografia musical del passat hi ha termes que, per comprendre'ls, exigeixen un estudi sem\u00e0ntic que ens permeti poder interpretar-los ling\u00fc\u00edsticament, est\u00e8ticament i funcionalment. Precisament aix\u00f2 \u00e9s el que passa quan ens enfrontem a la investigaci\u00f3 del terme 'vox', veu en fonts medievals. La dualitat sem\u00e0ntica afecta fins i tot tractats musicals dels segles XVIII i XIX, \u00e8poca en qu\u00e8 es comencen a fixar amb gran precisi\u00f3 les definicions de cadascun dels termes que conformen una obra musical\", explica l'expert al seu discurs de ingr\u00e9s a la RAED.\r\n\r\nGuerrero ha format part del Cor Nacional d'Espanya<\/strong>, ha fet enregistraments per a RTVE<\/strong>, RNE<\/strong>, UER<\/strong> i Radio Gallega<\/strong>. Paral\u00b7lelament a la seva carrera art\u00edstica i de recerca, t\u00e9 una \u00e0mplia experi\u00e8ncia com a docent als principals centres educatius d'ensenyaments art\u00edstics d'Espanya, com ara el Reial Conservatori Superior de M\u00fasica de Madrid, l'Escola Superior de Cant<\/strong> i, actualment, el Conservatori Professional de M\u00fasica Arturo Soria de Madrid<\/strong>, on \u00e9s cap de Departament. Ha estat responsable de les assignatures de Cant, Cant Hist\u00f2ric, Repertori Vocal i Did\u00e0ctica. Ha impartit classes magistrals de cant als conservatoris superiors de Ven\u00e8cia, Lecce, Fermo, Bolonya, Porto i a la Universitat de Lahti<\/strong> (Finl\u00e0ndia).","_et_gb_content_width":"","footnotes":""},"categories":[242,410],"tags":[],"class_list":["post-148684","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-categ-historia","category-musica-ca","et-has-post-format-content","et_post_format-et-post-format-standard"],"yoast_head":"\nLa veu l\u00edrica, al llarg de la hist\u00f2ria - Reial Acad\u00e8mia Europea de Doctors<\/title>\n<meta name=\"description\" content=\"H\u00e9ctor Guerrero aborda, durant el seu ingr\u00e9s a la RAED, l'evoluci\u00f3 de la m\u00fasica des de l'Antiguitat fins al segle XVIII\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/raed.academy\/ca\/la-veu-lirica-al-llarg-de-la-historia\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La veu l\u00edrica, al llarg de la hist\u00f2ria - 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