{"id":136588,"date":"2023-08-25T09:30:19","date_gmt":"2023-08-25T09:30:19","guid":{"rendered":"https:\/\/raed.academy\/?p=136588"},"modified":"2023-08-26T11:58:21","modified_gmt":"2023-08-26T11:58:21","slug":"un-erudit-recorregut-per-lart-la-historia-i-la-filosofia","status":"publish","type":"post","link":"https:\/\/raed.academy\/ca\/un-erudit-recorregut-per-lart-la-historia-i-la-filosofia\/","title":{"rendered":"Un erudit recorregut per l’art, la hist\u00f2ria i la filosofia"},"content":{"rendered":"
\"Dr.

Dr. Joaqu\u00edn Callabed<\/p><\/div>\n

Joaqu\u00edn Callabed<\/strong><\/em><\/a>, president del Club de Pediatria Social<\/strong>, acad\u00e8mic corresponent de la Reial Acad\u00e8mia de Medicina de Catalunya<\/strong> i acad\u00e8mic de n\u00famero i vicepresident de la Secci\u00f3 de Ci\u00e8ncies de la Salut de la Reial Acad\u00e8mia Europea de Doctors-Barcelona 1914<\/strong> (RAED), realitza un recorregut erudit i divulgatiu per la hist\u00f2ria de la literatura, l’art, la filosofia, l’\u00e8tica i la ci\u00e8ncia als articles “Tras los pasos de Jos\u00e9 Zorrilla en Valladolid”<\/span><\/span><\/span><\/span><\/strong>, <\/span><\/span><\/span><\/span>“La docta, creativa y art\u00edstica Bolonia”<\/span><\/span><\/span><\/span><\/strong>, <\/span><\/span><\/span><\/span>“Los fil\u00f3sofos m\u00e9dicos de la Antigua Grecia”<\/span><\/span><\/span><\/span><\/strong>, <\/span><\/span><\/span><\/span>“La cima art\u00edstica de Giotto en la capilla Scrovegni”<\/span><\/span><\/span><\/span><\/strong>, <\/span><\/span><\/span><\/span> “Las claves del respeto a los animales”<\/span><\/span><\/span><\/span><\/strong> i<\/span><\/span><\/span><\/span>\u00a0“Cr\u00edtica al utilitarismo de Jeremy Bentham”<\/span><\/span><\/span><\/span><\/strong>, publicats entre els passats 11 i 30 de juliol a les seccions “Lectores expertos”<\/strong>, “Lectores corresponsales”<\/strong>, “Las fotos de los lectores”<\/strong> i\u00a0“La mirada del lector”<\/strong><\/span><\/span><\/span> de l’edici\u00f3 digital del diari “La Vanguardia”<\/strong>, de la comunitat de lectors de la qual forma part activa.<\/p>\n

A “Tras los pasos de Jos\u00e9 Zorrilla en Valladolid”, l’acad\u00e8mic rememora una visita recent a l’actual casa-museu que el consistori de la capital castellano-lleonesa ha dedicat a l’autor de “Don Juan Tenorio”<\/strong>, en qu\u00e8 va viure els set primers anys de la seva vida, i esbossa la seva vida i la seva obra, destacant la import\u00e0ncia que va tenir a la literatura espanyola. “Una exquisida guia del museu condueix els meus passos. La planta baixa \u00e9s un recollit sal\u00f3 d’actes, Sala Narciso Alonso Cort\u00e9s<\/strong>, i est\u00e0 precedida pel jard\u00ed rom\u00e0ntic, amb un bell\u00edssim roserar central, flanquejat per xiprers, pollancres, aceroles, til\u00b7lers, sa\u00fccs.\u00a0 Zorrilla va ser un brillant escriptor que va viure segons els seus desitjos. Va saber conquistar la seva llibertat. Va ser membre de la Reial Acad\u00e8mia Espanyola<\/strong>“, explica.<\/p>\n

D’altra banda, a “La docta, creativa y art\u00edstica Bolonia”, Callabed tra\u00e7a els desconeguts vincles entre la capital de l’Em\u00edlia Romanya i Saragossa. “La primera vegada em va impressionar per la solidesa i bellesa del seu teixit urb\u00e0, exquisidament conservat amb maons vermells i carrers porticats durant 40 quil\u00f2metres. La seva universitat \u00e9s de les m\u00e9s antigues del m\u00f3n. El 1530, Bolonya va acollir les Corts Papal i Imperial per a la coronaci\u00f3 de Carles V<\/strong>, que es va celebrar a Sant Petroni, una de les seves meravelloses esgl\u00e9sies. I l’escola barroca de pintura amb Anibal Carracci<\/strong> al capdavant \u00e9s d’una gran dignitat. Per\u00f2 Bolonya mereixia una visita m\u00e9s detallada. Volia con\u00e8ixer, tamb\u00e9, la porta i el carrer Saragossa que fa vuit segles que existeix”, inicia el seu relat.<\/p>\n

A “Los fil\u00f3sofos m\u00e9dicos de la Antigua Grecia”, l’expert s’endinsa en els or\u00edgens de la medicina, forjada a les escoles m\u00e8dic filos\u00f2fiques, on es van establir els principis racionals d’aquesta ci\u00e8ncia, particularment amb Hip\u00f2crates<\/strong>, i tamb\u00e9 a l’estudi de les plantes com a terap\u00e8utica, tamb\u00e9 dels seus principis actius, amb Diosc\u00f2rides<\/strong>. Despr\u00e9s de citar les principals escoles on va sorgir la medicina, Callabed s’atura a la figura del que \u00e9s considerat el seu fundador. “El pare de la medicina grega i de la medicina racional va ser Hip\u00f2crates de Cos (segle V a.C.), que va establir no nom\u00e9s els fonaments de la patologia, sin\u00f3 que va aplicar una ter\u00e0pia apropiada. Amb la medicina hipocr\u00e0tica apareix el malalt com protagonista al drama de la curaci\u00f3”, explica.<\/p>\n

It\u00e0lia i l’art tornen a ser els protagonistes a l’article “La cima art\u00edstica de Giotto en la capilla Scrovegni”, on elogia els frescos d’aquest precursor del Renaixement a l’esgl\u00e9sia de Santa Maria de la Caritat a P\u00e0dua, declarats Patrimoni de la Humanitat. “Aqu\u00ed es troba l’obra m\u00e9s ben conservada i m\u00e9s genu\u00efna de l’artista florent\u00ed. Aqu\u00ed hi ha el mestre alt\u00edssim del color i de l’art d’escor\u00e7ar els volums de les figures amb el joc del clarobscur. Les imatges de la ira i l’esperan\u00e7a s\u00f3n el millor escor\u00e7 pict\u00f2ric de la primera meitat del segle XIV. Hi ha una auda\u00e7 innovaci\u00f3 de la iconografia bizant\u00ed medieval, es considera un dels cims de l’art occidental, hi ha 36 pintures amb els episodis del Sacre Poema<\/strong>, un s\u00f2col mostra als mortals el rastre dels vicis i les virtuts. Hi ha una dol\u00e7a llum verda a la casa d’Anna<\/strong> que emmarca l’abra\u00e7ada dels ancians esposos Joaquim<\/strong> i Anna”, relata.<\/p>\n

A “Las claves del respeto a los animales”, el president del Club de Pediatria Social explica l’evoluci\u00f3 de la relaci\u00f3 de l’\u00e9sser hum\u00e0 amb els animals, tant salvatges com de granja o les mascotes, assenyalant una necess\u00e0ria legislaci\u00f3 i una s\u00e8rie de criteris \u00e8tics. “Els anys 70 del segle XX van suposar una reflexi\u00f3 profunda a la societat europea. El 1976 apareix el Conveni Europeu de Protecci\u00f3 dels Animals en Explotacions Ramaderes<\/strong>. El Parlament Europeu, el 1987, publica la “Resoluci\u00f3 sobre pol\u00edtica relativa al benestar dels animals de cria”<\/strong> i una directiva de la CEE, el 1986, legisla sobre protecci\u00f3 d’animals utilitzats en experimentaci\u00f3 i altres fins cient\u00edfics, que es va incorporar a l’ordenament jur\u00eddic espanyol en un reial decret el 1988″, recorda.<\/p>\n

Per \u00faltim, a “Cr\u00edtica al utilitarismo de Jeremy Bentham”, aborda tamb\u00e9 l’\u00e8tica i la bio\u00e8tica, en aquest cas en els \u00e0mbits de la ci\u00e8ncia i de la ind\u00fastria, en contraposici\u00f3 a la denominada \u00e8tica de Benthan. “L’\u00e8tica per a Benthan \u00e9s una q\u00fcesti\u00f3 de c\u00e0lcul de conseq\u00fc\u00e8ncies. Es converteix en una teoria moral segons la qual la bondat o la maldat d’una acci\u00f3 dep\u00e8n no de la qualitat que l’acte tingui en si mateix, sin\u00f3 de les seves conseq\u00fc\u00e8ncies sotmeses a una valoraci\u00f3 global. Les accions que aconsegueixen plaer s\u00f3n bones i les que produeixen dolor s\u00f3n inevitablement dolentes”, explica.<\/p>\n

Llegiu “Tras los pasos de Jos\u00e9 Zorrilla en Valladolid”<\/strong><\/a>
\nLlegiu “La docta, creativa y art\u00edstica Bolonia”<\/strong><\/a>
\nLlegiu “Los fil\u00f3sofos m\u00e9dicos de la Antigua Grecia”<\/span><\/span><\/span><\/span><\/strong><\/a>
\nLlegiu “La cima art\u00edstica de Giotto en la capilla Scrovegni”<\/strong><\/a>
\nLlegiu “Las claves del respeto a los animales”<\/strong><\/a>
\nLlegiu “Cr\u00edtica al utilitarismo de Jeremy Bentham”<\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Joaqu\u00edn Callabed realitza un recorregut erudit i divulgatiu per la hist\u00f2ria de la literatura, l’art, la filosofia, l’\u00e8tica i la ci\u00e8ncia en diversos articles publicats entre els passats 11 i 30 de juliol a les seccions “Lectors experts”, “Lectors corresponsals”, “Les fotos dels lectors” i “La mirada del lector” de l’edici\u00f3 digital del diari “La Vanguardia”<\/p>\n","protected":false},"author":12,"featured_media":126221,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[229,455,496,242,401,439,213,433],"tags":[],"class_list":["post-136588","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","category-ciencies-de-la-salut","category-educacio-etica-i-valors-ca","category-categ-historia","category-historia-de-lart-i-patrimoni-cultural","category-literatura-ca","category-medicina-i-cirurgia","category-pintura-ca","et-has-post-format-content","et_post_format-et-post-format-standard"],"yoast_head":"\nUn erudit recorregut per l'art, la hist\u00f2ria i la filosofia - Reial Acad\u00e8mia Europea de Doctors<\/title>\n<meta name=\"description\" content=\"Joaqu\u00edn Callabed fa un recorregut erudit i divulgatiu per la hist\u00f2ria de 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