{"id":136380,"date":"2023-07-27T09:07:00","date_gmt":"2023-07-27T09:07:00","guid":{"rendered":"https:\/\/raed.academy\/?p=136380"},"modified":"2023-07-27T13:50:54","modified_gmt":"2023-07-27T13:50:54","slug":"ciencies-arts-i-moral-com-a-equipatge-de-ma","status":"publish","type":"post","link":"https:\/\/raed.academy\/ca\/ciencies-arts-i-moral-com-a-equipatge-de-ma\/","title":{"rendered":"Ci\u00e8ncies, arts i moral com a equipatge de m\u00e0"},"content":{"rendered":"
\"Joaqu\u00edn

Dr. Joaqu\u00edn Callabed<\/p><\/div>\n

Joaqu\u00edn Callabed<\/strong><\/em><\/a>, president del Club de Pediatria Social<\/strong>, acad\u00e8mic corresponent de la Reial Acad\u00e8mia de Medicina de Catalunya<\/strong> i acad\u00e8mic de n\u00famero i vicepresident de la Secci\u00f3 de Ci\u00e8ncies de la Salut de la Reial Acad\u00e8mia Europea de Doctors-Barcelona 1914<\/strong> (RAED), planteja diferents descobertes culturals i hist\u00f2riques als articles “Descubriendo el arte de la Fundaci\u00f3n Bemberg”<\/span><\/span><\/strong>, <\/span><\/span>“Explorando el arte de la Fundaci\u00f3n <\/span>Maeght”<\/span><\/span><\/strong>, “Santiago Lor\u00e9n<\/span>, el bi\u00f3grafo de Ram\u00f3n y Cajal”<\/strong>,\u00a0<\/span><\/span>“La pasi\u00f3n de Ram\u00f3n y Cajal por la pintura”<\/span><\/span><\/strong>, “La fusi\u00f3n de la ciencia y el arte literario” <\/strong>i <\/span><\/span>“Hacia una moral para los comentaristas”<\/span><\/span><\/strong>, publicats entre els passats 17 de juny i 9 de juliol a les seccions “Lectores expertos”<\/strong>, “Lectores corresponsales”<\/strong> i “La mirada del lector”<\/strong> de l’edici\u00f3 digital del diari “La Vanguardia”<\/strong>, de la comunitat de lectors de la qual forma part activa.<\/p>\n

A “Descubriendo el arte de la Fundaci\u00f3n Bemberg”, l’acad\u00e8mic rememora una visita recent a l’Hotel D’Assezat<\/strong> de Tolosa de Llanguedoc, dissenyat per l’arquitecte renaixentista Nicolas Bachelier<\/strong>, que acull la magna col\u00b7lecci\u00f3 de pintura i escultura de la Fundaci\u00f3 Bemberg<\/strong>. “Un apartat a part en una visita a Tolosa mereix la Fundaci\u00f3 Georges Bemberg<\/strong>, a l’Hotel D’Assezat. Georges Bemberg<\/strong> (1911-2011) va pert\u00e0nyer a una fam\u00edlia procedent de Col\u00f2nia establerta a Argentina, que va conservar sempre els seus lligams familiars i intel\u00b7lectuals amb Europa. Educat a Fran\u00e7a, va cr\u00e9ixer en un medi cultivat i art\u00edstic desenvolupant molt aviat un gust pronunciat per a les arts. Diplomat en literatura comparada a Harvard va ser tamb\u00e9 pianista, bibli\u00f2fil, col\u00b7leccionista i autor d’obres liter\u00e0ries. \u00c9s de lloar que per sobre de la delectaci\u00f3 de les obres vulgu\u00e9s mostrar-les p\u00fablicament”, assenyala l’autor.<\/p>\n

“Explorando el arte de la Fundaci\u00f3n Maeght”, per la seva banda, \u00e9s una invitaci\u00f3 a visitar la col\u00b7lecci\u00f3 d’aquest espai, inaugurat el 1964 en una pineda de la C\u00f4te d’Azur, als turons de Saint-Paul Vence per desig expr\u00e9s del matrimoni de Margherite<\/strong> i Aim\u00e9 Maeght<\/strong>. Una cita que va reunir figures de la talla d’Andr\u00e9 Malraux<\/strong>, Marc Chagall<\/strong>, Joan Mir\u00f3<\/strong>, Yves Montand<\/strong>, Josep Llu\u00eds Sert<\/strong>, Alberto Giacometti<\/strong>, Henri-Georges Clouzot<\/strong> o Ella Fitzgerald<\/strong>. “Cal caminar un bon tros i per terreny costerut des de Saint-Paul per arribar al tur\u00f3. L’esfor\u00e7 val la pena. La Fundaci\u00f3 \u00e9s un veritable museu enmig de la natura. La calma envaeix en visitar-la. En aquest exquisit recinte es presenta l’art modern i contemporani en totes les seves formes. El matrimoni Maeght va crear una veritable comunitat d’artistes: la galeria \u00e9s una amistat, cadasc\u00fa treballa per a tots. Pintors, escultors i poetes es troben a Saint-Paul i se senten a casa seva i es dedica amb passi\u00f3 a l’aventura”, explica Callabed.<\/p>\n

A “Santiago Lor\u00e9n, el bi\u00f3grafo de Ram\u00f3n y Cajal”<\/strong>, per la seva banda, el president del Club de Pediatria Social recupera la figura de l’expert en la vida i l’obra del Nobel que va escriure el gui\u00f3 de la s\u00e8rie televisiva dirigida per Jos\u00e9 Mar\u00eda Forqu\u00e9<\/strong> sobre Santiago Ram\u00f3n y Cajal<\/strong>. “Santiago Lor\u00e9n \u00e9s un autor de refer\u00e8ncia en la hist\u00f2ria de la medicina aragonesa i sobre Santiago Ram\u00f3n y Cajal, al qual va dedicar el seu llibre ‘Cajal, historia de un hombre’<\/strong>. Nascut a Belchite. Premi Planeta<\/strong> el 1953 per ‘Una casa con goteras’<\/strong> i Premi Ateneu de Sevilla<\/strong> per ‘La vieja del molino de aceite’<\/strong>. Metge, ginec\u00f2leg, prol\u00edfic escriptor i humanista. Va ser el meu professor d’Hist\u00f2ria de la Medicina a Saragossa. Era un home il\u00b7lustrat, cr\u00edtic amb fonamentaci\u00f3, pulcre en la seva pres\u00e8ncia i en la seva metodologia expositiva progressista. Tenia un punt d’heterodox i anticonformista que el plasmava als nombrosos llibres i a les amenes classes”, recorda l’autor.<\/p>\n

\"\"

Santiago Ram\u00f3n y Cajal<\/p><\/div>\n

Callabed tamb\u00e9 aborda la figura del Nobel aragon\u00e8s a “La pasi\u00f3n de Ram\u00f3n y Cajal por la pintura”<\/strong>, on destaca que el cient\u00edfic va ferr servir els seus coneixements i habilitats pict\u00f2riques per als seus estudis histol\u00f2gics i anat\u00f2mics. “Santiago volia aprendre a pintar. Afortunadament per a la medicina, els seus dibuixos resultarien molt importants per a la difusi\u00f3 de la seva obra cient\u00edfica. Va voler ser pintor sempre. A les seves mem\u00f2ries ens diu que utilitzava els c\u00e0stigs perllongats per donar curs als seus deliris pict\u00f2rics dibuixant amb guix i cartr\u00f3 a les parets batalles campals entre bedells i alumnes en qu\u00e8 els primers portaven la pitjor part”, explica l’expert.<\/p>\n

Tampoc abandona l’acad\u00e8mic la figura de Ram\u00f3n y Cajal a “La fusi\u00f3n de la ciencia i el arte literario”, on rememora el paneg\u00edric que Santiago Ram\u00f3n y Cajal va dedicar al primer premi Nobel espanyol, al seu cas de Literatura, Jos\u00e9 Echegaray<\/strong>, per la seva obra “El gran Galeoto”<\/strong>. “Sovint escolto comentaris referents a aquest gran desconegut per al gran p\u00fablic que va ser Jos\u00e9 Echegaray. Aquest \u00e9s el paneg\u00edric de Cajal defensant la fusi\u00f3 de la ci\u00e8ncia i l’art literari: ‘Si sorpr\u00e9n a alguns que un enginyer, un f\u00edsic, un ge\u00f2metra, la fantasia del qual s’hauria d’haver esgotat entre el param adust de f\u00f3rmules algebraiques, hagi cultivat tan primorosa i gallardament la poesia, i m\u00e9s als qui s’admiren de tan feli\u00e7 conjunci\u00f3 de facultats, se’ls podria preguntar si coneixen per ventura algun talent cient\u00edfic que no tingui alguna cosa i encara molt de poeta'”, recull Callabed.<\/p>\n

Finalment, a “Hacia una moral para los comentaristas”, l’acad\u00e8mic recupera una m\u00e0xima del fil\u00f2sof canadenc d’origen argent\u00ed Mario Bunge<\/strong> dedicada als anomenats analistes que es prodiguen pels mitjans, sovint amb opinions infundades. “Bunge va proposar ‘Primum cognoscere, deinde philosophari’ (primer con\u00e8ixer, despr\u00e9s filosofar). Efectivament, juntament amb destacats i eficients professionals dels mitjans de comunicaci\u00f3, proliferen una s\u00e8rie de comentaristes i tamb\u00e9 pol\u00edtics ‘amos de la realitat’ dels quals no es coneix una formaci\u00f3 contrastada i reconeguda en els temes que exposen. De la mateixa manera que hi ha una moral de recerca cient\u00edfica, Bunge ens acosta a una moral de reflexi\u00f3 comunicativa i filos\u00f2fica”, conclou.<\/p>\n

Joaqu\u00edn Callabed aborda diverses q\u00fcestions relacionades amb l’educaci\u00f3 i l’atenci\u00f3 social i sanit\u00e0ria als menors, particularment als adolescents, oferint consells des de l’\u00f2ptica professional<\/p>\n","protected":false},"author":12,"featured_media":128377,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[229,455,496,242,401,404,439,213,433,472],"tags":[],"class_list":["post-136380","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","category-ciencies-de-la-salut","category-educacio-etica-i-valors-ca","category-categ-historia","category-historia-de-lart-i-patrimoni-cultural","category-historia-nacional-ca","category-literatura-ca","category-medicina-i-cirurgia","category-pintura-ca","category-psiquiatria-i-psicologia","et-has-post-format-content","et_post_format-et-post-format-standard"],"yoast_head":"\nCi\u00e8ncies, arts i moral com a equipatge de m\u00e0 - 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Llegiu “Descubriendo el arte de la Fundaci\u00f3n Bemberg”<\/span><\/span><\/strong><\/a>
\n<\/span><\/span>Llegiu “<\/a>Explorando el arte de la Fundaci\u00f3n <\/span><\/a>Maeght”<\/a>
\n<\/span><\/span><\/strong>Llegiu “Santiago Lor\u00e9n<\/span>, el bi\u00f3grafo de Ram\u00f3n y Cajal”<\/a>
\n<\/strong><\/span><\/span>Llegiu “La pasi\u00f3n de Ram\u00f3n y Cajal por la pintura”<\/a>
\n<\/span><\/span><\/strong>Llegiu “La fusi\u00f3n de la ciencia y el arte literario”<\/a>
\n<\/strong><\/span><\/span>Llegiu “Hacia una moral para los comentaristas”<\/span><\/span><\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"