{"id":133823,"date":"2023-06-01T22:09:40","date_gmt":"2023-06-01T22:09:40","guid":{"rendered":"https:\/\/raed.academy\/?p=133823"},"modified":"2023-06-02T09:55:02","modified_gmt":"2023-06-02T09:55:02","slug":"evocacio-de-paris-i-altres-records","status":"publish","type":"post","link":"https:\/\/raed.academy\/ca\/evocacio-de-paris-i-altres-records\/","title":{"rendered":"Evocaci\u00f3 de Par\u00eds i altres records"},"content":{"rendered":"
\"Dr.

Dr. Joaqu\u00edn Callabed<\/p><\/div>\n

Joaqu\u00edn Callabed<\/strong><\/em><\/a>, president del Club de Pediatria Social<\/strong>, acad\u00e8mic corresponent de la Reial Acad\u00e8mia de Medicina de Catalunya<\/strong> i acad\u00e8mic de n\u00famero i vicepresident de la Secci\u00f3 de Ci\u00e8ncies de la Salut de la Reial Acad\u00e8mia Europea de Doctors-Barcelona 1914<\/strong> (RAED), convida a la comunitat acad\u00e8mica a un viatge cultura i erudit on hist\u00f2ria, art i fascinaci\u00f3 van de la m\u00e0 a trav\u00e9s dels articles “Montmartre de museo<\/strong>“<\/strong>, “Patinir, el sol escondido de la pintura flamenca”<\/strong>, “El rastro de otras \u00e9pocas en Par\u00eds”<\/strong>, “El fil\u00f3sofo catal\u00e1n admirado por Montaigne”<\/strong> i “La ruta del t\u00e9 por Par\u00eds”<\/strong>,<\/span><\/span> publicats entre els passats 6 d’abril i 11 de maig a les seccions “Lectores expertos”<\/strong> i “Lectores corresponsales”<\/strong> de l’edici\u00f3 digital del diari “La Vanguardia”<\/strong>, de la comunitat de lectors de la qual forma part activa.<\/p>\n

A “Montmartre de museo”, l’acad\u00e8mic aborda l’encant i la llegenda de Montmartre, un barri privilegiat de Par\u00eds que ha determinat l’obra de nombrosos artistes al llarg dels segles XIX i XX. “Un abat va fundar al segle XI, a dalt del tur\u00f3, l’esgl\u00e9sia de Sant Pere. Nombrosos artistes s’han establert a ‘el tur\u00f3 de la poesia’: Gericault<\/strong>, Gavarni<\/strong>, Lepine<\/strong>, que uneix el realisme po\u00e8tic de Corot<\/strong> amb l’impressionisme de Monet<\/strong>. All\u00e0 van arribar tamb\u00e9 Ziem<\/strong>, Brascassat<\/strong> i el pintor male\u00eft Jongkind<\/strong>, l’holand\u00e8s de les fulgurants i sorprenents aquarel\u00b7les amb la incerta llum atl\u00e0ntica de Honfleur. Amb el moviment impressionista va aconseguir un dels seus moments m\u00e9s grans: Pissarro<\/strong>, Sisley<\/strong>, Guillaumin<\/strong>. El 1873 s’instal\u00b7lava Renoir<\/strong> a 12 carrer Cortot -actual Museu de Montmartre<\/strong>– i al Moulin de la Galette<\/strong> troba els seus models entre les floristes, cosidores i modistes, Toulouse Lautrec<\/strong> i Van Gogh<\/strong> eleven la gl\u00f2ria del lloc. A Bateau Lavoir<\/strong> emergeix el bressol del cubisme. En aquell edifici van tenir acollida pintors, escultors, poetes, humoristes… Picasso<\/strong> va estar all\u00e0 amb un grup d’espanyols: Paco Durio<\/strong>, Pichot<\/strong>, Zuloaga<\/strong>, Gargallo<\/strong>, Gonz\u00e1lez<\/strong> i Manolo Hugu\u00e9<\/strong>. Van Dongen<\/strong> hi implanta el seu fauvisme i s’hi assisteix al gran moment de les ‘Demoiselles d’Avignon’<\/strong> de Picasso, que causen un gran esc\u00e0ndol oficial”, explica.<\/p>\n

Per la seva banda, a “Patinir, el sol escondido de la pintura flamenca”, Callabed evoca la figura i l’obra del pintor flamenc Joachim Patinir<\/strong>, pont entre el medievalisme latent del segle XV i les formes i conceptes humanistes del XVI. “Patinir queda una mica relegat al fenomen el Bosco<\/strong>. Crec que necessita una atmosfera pr\u00f2pia i diferenciada. Al cel pict\u00f2ric hi caben totes les estrelles. Patinir va n\u00e9ixer el 1480. Va ser un pintor pont entre el medievalisme latent del segle XV i les formes i conceptes humanistes que assolirien la seva consolidaci\u00f3 als territoris de Flandes al llarg del segle XVI. Va tenir com a mestre David<\/strong>. Els paisatges de Patinir envolten els seus personatges en immenses i fant\u00e0stiques atmosferes sense l\u00edmits definits entre el real i l’imaginari. La gradaci\u00f3 dels seus verds, blaus i violetes \u00e9s insuperable. Va atorgar a la naturalesa en les seves composicions el paper de protagonista relegant les figures a un pla secundari. La intensitat dels seus blaus \u00e9s llegend\u00e0ria. Amb Patinir va comen\u00e7ar un model de paisatge”, considera.<\/p>\n

\"\"A “El rastro de otras \u00e9pocas en Par\u00eds”, el president del Club de Pediatria Social realitza una evocadora ruta per Par\u00eds que el porta a visitar locals hist\u00f2rics com La Coupole<\/strong>, Le Select<\/strong>, Le D\u00f4me<\/strong> i La Closerie des Lilas<\/strong>, emblemes d’altres \u00e8poques de la ciutat, i a compartir els seus propis records de joventut: “La Coupole em porta records de Jean-Paul Sartre<\/strong> all\u00e0 al 1968. Era una icona. Feia fila per parlar amb ell. Ens convidava al caf\u00e8, escoltava i mitigava els nostres cremors amb calma i desitjos de pactes amb tots els r\u00e8gims de llavors. Era un home que deixava empremta i condicionava. Una mena d’oracle per als que ten\u00edem 20 anys i ganes d’obrir portes. Inoblidable. Em va escriure el tel\u00e8fon a la meva agenda i vaig rebre una lli\u00e7\u00f3 d’humilitat, t\u00edpica de savis. Fins i tot em va recomanar Le Tabou<\/strong>, una discoteca de carrer Dauphine, avui desapareguda, famosa llavors pels balls i sons africans. La nost\u00e0lgia \u00e9s una planta capa\u00e7 d’arrelar a terra m\u00e9s inh\u00f2spits”, recorda emocionat.<\/p>\n

Callabed prossegueix el recorregut amb “El fil\u00f3sofo catal\u00e1n admirado por Montaigne”, on recupera la figura de Ramon de Sibiuda<\/strong> (1385-1436), mestre en medicina, arts i teologia i un iniciador de l’humanisme. “Professor a la universitat de Tolosa al Llenguadoc, on va morir el 1436, la seva obra fonamental va ser ‘Liber creatorum seu naturae’<\/strong> o ‘Liber d’homine’<\/strong>, que Michel de Montaigne<\/strong> va traduir al franc\u00e8s. “La seva obra va ser llegida per Mirandola<\/strong>, Lef\u00e8vre d’\u00c9taples<\/strong>, Charles de Bouelles<\/strong>. Va influir a Ignasi de Loiola<\/strong> i Francesc de Sales<\/strong>. Tamb\u00e9 a Groci<\/strong>\u00a0i Comeni<\/strong> i als franciscans espanyols del segle XVI com ara Juan de Cazalla<\/strong>, Diego d’Estella<\/strong>, Juan de los \u00c1ngeles<\/strong> i Joan de la Creu<\/strong>. Va proporcionar al fil\u00f2sof Blaise Pascal<\/strong> l’esquema de ‘L’aposta’<\/strong>, un argument sobre l’exist\u00e8ncia de D\u00e9u: ‘Encara que no es coneix de manera segura si D\u00e9u existeix, all\u00f2 racional \u00e9s apostar que s\u00ed existeix'”, explica.<\/p>\n

Finalment, a “La ruta del t\u00e9 por Par\u00eds”, el vicepresident de la Secci\u00f3 de Ci\u00e8ncies de la Salut de la RAED suggereix vuit locals per gaudir d’aquesta popular infusi\u00f3, entre els quals destaquen Angelina<\/strong>, Fauchon<\/strong>, Palais des th\u00e9s<\/strong> o Ladur\u00e9e<\/strong>. “Un bon te s’ha de servir amb tres tipus d’endolcidors: sucre blanquilla, sucre bru i sacarina per a la qual hi ha unes caixes amb les quals es poden agafar amb pinces. Cal tamb\u00e9 una tetera de porcellana perqu\u00e8 es mantingui calent el te, una gerreta de llet, un plat amb rodanxes de llimona i pinces per portar-lo fins a la tassa”, recorda Callabed els consells d’una bona amiga, Nicolette<\/strong>.<\/p>\n

Llegiu “Montmartre de museo<\/strong><\/a>”
\n<\/strong>Llegiu “Patinir, el sol escondido de la pintura flamenca”<\/a>
\n<\/strong>Llegiu “El rastro de otras \u00e9pocas en Par\u00eds”<\/a>
\n<\/strong>Llegiu “El fil\u00f3sofo catal\u00e1n admirado por Montaigne”<\/a>
\n<\/strong>Llegiu “La ruta del t\u00e9 por Par\u00eds”<\/strong><\/a><\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Joaqu\u00edn Callabed convida la comunitat acad\u00e8mica a un viatge cultura i erudit on hist\u00f2ria, art i fascinaci\u00f3 van de la m\u00e0 a trav\u00e9s de diversos articles<\/p>\n","protected":false},"author":12,"featured_media":133782,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[229,466,242,401,433],"tags":[],"class_list":["post-133823","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","category-destacat","category-categ-historia","category-historia-de-lart-i-patrimoni-cultural","category-pintura-ca","et-has-post-format-content","et_post_format-et-post-format-standard"],"yoast_head":"\nEvocaci\u00f3 de Par\u00eds i altres records - Reial Acad\u00e8mia Europea de Doctors<\/title>\n<meta name=\"description\" content=\"Joaqu\u00edn Callabed convida la comunitat acad\u00e8mica a un viatge cultura on hist\u00f2ria, art i fascinaci\u00f3 van de la m\u00e0 a trav\u00e9s de diversos articles\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/raed.academy\/ca\/evocacio-de-paris-i-altres-records\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Evocaci\u00f3 de Par\u00eds i altres records - 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