{"id":125591,"date":"2022-12-02T06:30:18","date_gmt":"2022-12-02T06:30:18","guid":{"rendered":"https:\/\/raed.academy\/?p=125591"},"modified":"2022-12-04T11:33:32","modified_gmt":"2022-12-04T11:33:32","slug":"quatre-motius-per-visitar-belgica","status":"publish","type":"post","link":"https:\/\/raed.academy\/ca\/quatre-motius-per-visitar-belgica\/","title":{"rendered":"Quatre motius per visitar B\u00e8lgica"},"content":{"rendered":"

Joaqu\u00edn Callabed<\/strong><\/em><\/a>, president del Club de Pediatria Social<\/strong>, acad\u00e8mic corresponent de la Reial Acad\u00e8mia de Medicina de Catalunya<\/strong> i acad\u00e8mic de n\u00famero i vicepresident de la Secci\u00f3 de Ci\u00e8ncies de la Salut de la Reial Acad\u00e8mia Europea de Doctors-Barcelona 1914<\/strong> (RAED), prossegueix amb el seu viatge cultural a B\u00e8lgica, que comparteix amb la comunitat acad\u00e8mica a trav\u00e9s de quatre nous articles publicats a la secci\u00f3 “Lectores corresponsales”<\/strong> de l’edici\u00f3 digital del diari “La Vanguardia”<\/strong>, de la comunitat de lectors de la qual forma part activa. Es tracta de “Los grandes tesoros pict\u00f3ricos de Bruselas”<\/strong>, “Amberes, la patria de Rubens”<\/strong>, “Explorando el Museo Fin de Siglo”<\/strong> i “El arte de Magritte en Bruselas”<\/strong>, que es van publicar entre els passats 18 i 23 de novembre .<\/p>\n

\"Joaqu\u00edn

Dr. Joaqu\u00edn Callabed<\/p><\/div>\n

A “Los grandes tesoros pict\u00f3ricos de Bruselas”, Callabed<\/strong> comen\u00e7a per rec\u00f3rrer l’obra dels primitius pintors flamencs als Museus Reials de Belles Arts<\/strong> de Brussel\u00b7les. “El nucli fonamental est\u00e0 constitu\u00eft per obres de Brueguel<\/strong>, Jordaens<\/strong> i Rubens<\/strong> amb mostres importants de les escoles italiana, francesa i alemanya. Algunes obres destacades s\u00f3n ‘L’Anunciaci\u00f3’<\/strong> de Campin<\/strong>. Van der Weyden<\/strong> presenta el ‘Retrat d’Antonio de Borgonya’<\/strong> i una ‘Piet\u00e1’<\/strong> de gran intensitat dram\u00e0tica. Petrus Christus<\/strong> t\u00e9 la seva ‘Lamentaci\u00f3’<\/strong>. Dirk Bouts<\/strong>, ‘La just\u00edcia de l’emperador Oton’<\/strong>; Hans Memling<\/strong>, ‘El martiri de sant Sebasti\u00e0’<\/strong>, en qu\u00e8 no expressa patiment el sant i s\u00ed una dol\u00e7or m\u00edstica. El<\/strong> Bosco<\/strong> t\u00e9 un ‘Calvari’<\/strong>. Lucas Cranach<\/strong> est\u00e0 representat amb ‘Venus i Amor’<\/strong>, ‘Adam i Eva’<\/strong> i ‘Retrat del Dr. Schreying’<\/strong>“, explica l’acad\u00e8mic.<\/p>\n

“A l’escola de Bruges destaca Gerard David<\/strong> amb ‘La Mare de D\u00e9u i la sopa de llet’<\/strong>. Est\u00e0 impregnat de l’obra de Memling<\/strong>, a qui succeir\u00e0 com a pintor oficial de Bruges. Quentin Metsys<\/strong> \u00e9s present amb el ‘Tr\u00edptic de la confraria de sant Antoni’<\/strong> \u200b\u200bi Joaquim Patinir<\/strong> amb el seu ‘Paisatge per a la predicaci\u00f3 de sant Joan Baptista’<\/strong>. Brueguel el Vell<\/strong> t\u00e9 especial pres\u00e8ncia amb ‘La caiguda dels \u00e0ngels rebels’<\/strong>, ‘El cens de Betlem’<\/strong>, ‘La caiguda d’\u00cdcar’<\/strong> i ‘La adoraci\u00f3 dels Reis d’Orient’<\/strong>. Rubens<\/strong> \u00e9s present amb ‘Caps negres’<\/strong>, ‘La caiguda d’\u00cdcar’<\/strong> i ‘Martiri de santa \u00darsula’<\/strong>. Pel que fa als grans formats, ‘L’adoraci\u00f3 dels Mags’<\/strong>, ‘L’Assumpci\u00f3 de la Mare de D\u00e9u’<\/strong>, ‘El martiri de sant Lievin’<\/strong> i ‘La pujada al Calvari’<\/strong>. Entre els pintors holandesos destaquen Rembrandt<\/strong> i Franz Hals<\/strong>“, afegeix.<\/p>\n

A “Amberes, la patria de Rubens”, l’acad\u00e8mic elogia la ciutat que va pert\u00e0nyer a l’Imperi espanyol, d’una llarga tradici\u00f3 humanista. “A m\u00e9s de les seves esgl\u00e9sies, s\u00f3n recomanables els museus de Knock<\/strong> i Van der Bergh<\/strong> i el Plantin-Moretus<\/strong>, primer museu reconegut com a patrimoni de la humanitat per la Unesco<\/strong>, veritable joia amagada”, explica. Callabed<\/strong> aconsella una visita a la casa museu de Rubens<\/strong>, on l’artista va passar 25 anys de la seva vida amb la fam\u00edlia i va realitzar la major part de la seva extensa obra. “Va rebre com a convidats grans personalitats, va conservar la seva col\u00b7lecci\u00f3 d’art i va treballar al seu taller amb el seu equip i amics. La seva fama segueix creixent quatre segles despr\u00e9s de la seva mort. La casa i el seu jard\u00ed renaixentista s\u00f3n un testimoni inesborrable del pas de Rubens, potser el millor personatge que va donar Anvers a la hist\u00f2ria”, assenyala.<\/p>\n

A “Explorando el Museo Fin de Siglo”, el president del Club de Pediatria Social se centra en un museu que forma part dels Museus Reials de Belles Arts de B\u00e8lgica des que va ser inaugurat el 6 de desembre de 2013 amb un fons que mostra exemples de realisme social, el neoimpressionisme i postimpressionisme, nabis, art nouveau i simbolisme. “La fundaci\u00f3 del Museu Fi de Segle<\/strong> arrenca amb una filosofia moderna i pluridisciplin\u00e0ria respecte als seus continguts. La Societat Lliure de les Belles Arts<\/strong> el 1848 va jugar un paper important tenint com a lema ‘fer de la pintura una mica sana i forta sense idees ni receptes tornant al sentit veritable de la tela, animat no nom\u00e9s pel tema sin\u00f3 tamb\u00e9 per la seva materialitat com a subst\u00e0ncia preciosa, com a organisme viu. Pintar la natura en la seva realitat, la seva sinceritat, desplegant mestratges i t\u00e8cniques conegudes'”, detalla l’autor.<\/p>\n

Finament, a “El arte de Magritte en Bruselas”, l’acad\u00e8mic convida a visitar el seu museu, tamb\u00e9 parteix dels Museus Reials, i casa seva, al barri de la Jette. “L’obra surrealista de Ren\u00e9 Magritte<\/strong> flota en el temps i forma part de les avantguardes art\u00edstiques que han aconseguit penetrar al subconscient col\u00b7lectiu del segle XX, com les desconstruccions cubistes de Picasso<\/strong> o Braque<\/strong>, els rellotges tous de Dal\u00ed<\/strong> o les imatges volants de Chagall<\/strong> “, introdueix Callabed<\/strong> la seva invitaci\u00f3.<\/p>\n

Llegiu “Los grandes tesoros pict\u00f3ricos de Bruselas”<\/a><\/h2>\n

Llegiu “Amberes, la patria de Rubens”<\/a><\/h2>\n

Llegiu “Explorando el Museo Fin de Siglo”<\/a><\/h2>\n

Llegiu “El arte de Magritte en Bruselas”<\/a><\/h2>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Joaqu\u00edn Callabed comparteix quatre nous articles durant el viatge cultural a B\u00e8lgica, sobre l’art i altres tresors art\u00edstics de Brussel\u00b7les<\/p>\n","protected":false},"author":12,"featured_media":125728,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[229,242,433],"tags":[],"class_list":["post-125591","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","category-categ-historia","category-pintura-ca","et-has-post-format-content","et_post_format-et-post-format-standard"],"yoast_head":"\nQuatre motius per visitar B\u00e8lgica - Reial Acad\u00e8mia Europea de Doctors<\/title>\n<meta name=\"description\" content=\"Joaqu\u00edn Callabed comparteix quatre nous articles durant el viatge cultural a B\u00e8lgica, sobre l'art i altres tresors art\u00edstics de Brussel\u00b7les\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/raed.academy\/ca\/quatre-motius-per-visitar-belgica\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Quatre motius per visitar B\u00e8lgica - 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