{"id":119985,"date":"2022-06-23T04:42:41","date_gmt":"2022-06-23T04:42:41","guid":{"rendered":"https:\/\/raed.academy\/?p=119985"},"modified":"2022-06-27T09:07:02","modified_gmt":"2022-06-27T09:07:02","slug":"ruben-dario-universal","status":"publish","type":"post","link":"https:\/\/raed.academy\/ca\/ruben-dario-universal\/","title":{"rendered":"Rub\u00e9n Dar\u00edo, universal"},"content":{"rendered":"<div id=\"attachment_105232\" style=\"width: 370px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-105232\" class=\"wp-image-105232\" src=\"https:\/\/raed.academy\/wp-content\/uploads\/2021\/08\/Ruben-Dario-dst.jpeg\" sizes=\"(max-width: 400px) 100vw, 400px\" srcset=\"https:\/\/raed.academy\/wp-content\/uploads\/2021\/08\/Ruben-Dario-dst.jpeg 500w, https:\/\/raed.academy\/wp-content\/uploads\/2021\/08\/Ruben-Dario-dst-440x264.jpeg 440w\" alt=\"Rub\u00e9n Dar\u00edo\" width=\"360\" height=\"216\" aria-describedby=\"caption-attachment-105232\" \/><p id=\"caption-attachment-105232\" class=\"wp-caption-text\">Rub\u00e9n Dar\u00edo<\/p><\/div>\n<p><a href=\"https:\/\/raed.academy\/ca\/naohito-watanabe\/\" target=\"_blank\" rel=\"noopener\"><em><strong>Naohito Watanabe<\/strong><\/em><\/a>, exc\u00f2nsol general del Jap\u00f3 a Barcelona, \u200b\u200bacad\u00e8mic corresponent de l&#8217;<strong>Acad\u00e8mia Nicarag\u00fcenca de la Llengua<\/strong>, acad\u00e8mic honorari de l&#8217;<strong>Acad\u00e8mia de Geografia i Hist\u00f2ria de Nicaragua<\/strong> i acad\u00e8mic d&#8217;honor de la <strong>Reial Acad\u00e8mia Europea de Doctors-Barcelona 1914<\/strong> (RAED), \u00e9s el protagonista d&#8217;una \u00e0mplia entrevista realitzada pel periodista, escriptor, editor i expert en l&#8217;obra de <strong>Rub\u00e9n Dar\u00edo Gustavo Adolfo Montalv\u00e1n Ram\u00edrez<\/strong>. La publicaci\u00f3 \u00e9s fruit de la gran acollida que han tingut les traduccions al japon\u00e8s realitzades per Watanabe de diverses de les obres cl\u00e0ssiques de l&#8217;autor de refer\u00e8ncia del modernisme en espanyol: <strong>&#8220;Azul&#8221;<\/strong>, <strong>&#8220;El viaje a Nicaragua&#8221;<\/strong>, <strong>&#8220;Intermezzo tropical&#8221;<\/strong> i <strong>&#8220;Cuentos Completos&#8221;<\/strong>, una obra que recull m\u00e9s d&#8217;un centenar de narracions breus escrites per l&#8217;autor nicarag\u00fcenc entre el 1881, als seus 14 anys, fins al 1914, als 47, i que en origen es van publicar i reproduir en m\u00faltiples revistes i diaris d&#8217;Am\u00e8rica i Europa en vida de <strong>Dar\u00edo<\/strong>.<\/p>\n<p>&#8220;La traducci\u00f3 d&#8221;Azul&#8217; ha tingut molt bona acceptaci\u00f3 al Jap\u00f3. M&#8217;ha felicitat molta gent del m\u00f3n literari. S&#8217;ha distribu\u00eft a totes les biblioteques p\u00fabliques del Jap\u00f3 com a obra de refer\u00e8ncia. Tamb\u00e9 amb l&#8217;ocasi\u00f3 de la publicaci\u00f3 dels &#8216;Cuentos Completos&#8217; de <strong>Rub\u00e9n Dar\u00edo<\/strong> s&#8217;han celebrat moltes confer\u00e8ncies i dissertacions, com ara a l&#8217;<strong>Institut Cervantes<\/strong> de T\u00f2quio, al <strong>Club Espanyol del Jap\u00f3<\/strong>, a l&#8217;<strong>Associaci\u00f3 d&#8217;Amistat Jap\u00f3 i Catalunya<\/strong>, a l&#8217;<strong>Associaci\u00f3 Llatinoamericana del Jap\u00f3<\/strong>&#8230; tamb\u00e9 amb una gran acceptaci\u00f3 del p\u00fablic&#8221;, assenyala l&#8217;acad\u00e8mic sobre la repercussi\u00f3 de les seves traduccions.<\/p>\n<div id=\"attachment_56761\" style=\"width: 385px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-56761\" class=\"wp-image-56761 size-full\" src=\"https:\/\/raed.academy\/wp-content\/uploads\/2018\/09\/Naohito-Watanabe-int.jpg\" alt=\"Naohito Watanabe\" width=\"375\" height=\"216\" aria-describedby=\"caption-attachment-56761\" \/><p id=\"caption-attachment-56761\" class=\"wp-caption-text\">Naohito Watanabe<\/p><\/div>\n<p><strong>Watanabe<\/strong> reflexiona a la xerrada amb <strong>Montalv\u00e1n Ram\u00edrez<\/strong> sobre la fascinaci\u00f3 de <strong>Rub\u00e9n Dar\u00edo<\/strong> pel Jap\u00f3, un pa\u00eds que mai no va visitar, per\u00f2 que va reflectir \u00e0mpliament a la seva obra. &#8220;Jap\u00f3, embolicat amb el misteri\u00f3s vel oriental, es va presentar al m\u00f3n, i justament era l&#8217;\u00e8poca del modernisme a Europa. Aix\u00ed va sorgir el japonisme. Es va donar la circumst\u00e0ncia que el Jap\u00f3 va participar en l&#8217;<strong>Exposici\u00f3 Universal de Barcelona<\/strong>, \u200b\u200bcelebrada el 1888, i despr\u00e9s a l&#8217;<strong>Exposici\u00f3 Universal de Par\u00eds<\/strong> del 1900, amb les seves ex\u00f2tiques mostres art\u00edstiques tradicionals. <strong>Rub\u00e9n Dar\u00edo<\/strong> va cobrir l&#8217;esdeveniment com a corresponsal de <strong>&#8216;La Naci\u00f3n&#8217;<\/strong>, de Buenos Aires. El japonisme va encantar <strong>Rub\u00e9n<\/strong>, i malgrat que el poeta mai no va ser al Jap\u00f3, ell, amb la seva vigorosa imaginaci\u00f3 i una visi\u00f3 cosmopolita, va fusionar el que \u00e9s ex\u00f2tic del Jap\u00f3 amb el seu modernisme, sobrepassant el temps i l&#8217;espai&#8221;, explica.<\/p>\n<p>Sobre la seva primera presa de contacte amb l&#8217;obra de <strong>Rub\u00e9n Dar\u00edo<\/strong>, <strong>Watanabe<\/strong> va declarar la seva trobada oportuna a l&#8217;embarcador del llac de Granada amb una nena mal vestida i descal\u00e7a que declamava un poema de l&#8217;autor que el va impressionar. &#8220;Un dia vaig visitar Granada per con\u00e8ixer els illots del Llac de Nicaragua, fam\u00f3s pels taurons d&#8217;aigua dol\u00e7a. A l&#8217;embarcador hi havia una nena petitona, potser de vuit o nou anys, amb el cabell ros, ulls negres, pell morena cremada al sol, i vestida de parracs i a m\u00e9s descal\u00e7a. Ella es va acostar somrient a mi. Vaig creure que em demanaria algun dineret com solien fer els nens als sem\u00e0fors aleshores. Per\u00f2 quina sorpresa, va comen\u00e7ar a declamar alguna cosa. Un text amb ritme i versificat. Era un poema dol\u00e7 i ressonant, amb certa malenconia. Em vaig quedar embadalit, fascinat, i vaig sentir fins a l&#8217;estremiment al meu cor amb la declamaci\u00f3 d&#8217;aquella nena. Aix\u00ed va ser el meu primer contacte amb l&#8217;obra de <strong>Rub\u00e9n Dar\u00edo<\/strong>&#8220;, explica.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Entrevista a Naohito Watanabe, fruit de la gran acollida de les seves traduccions al japon\u00e8s de diverses obres cl\u00e0ssiques de Rub\u00e9n Dar\u00edo, autor de refer\u00e8ncia del modernisme en espanyol: &#8220;Azul&#8221;, &#8220;El viaje a Nicaragua&#8221;, &#8220;Intermezzo tropical&#8221; i &#8220;Cuentos Completos&#8221;<\/p>\n","protected":false},"author":12,"featured_media":105233,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[229],"tags":[],"class_list":["post-119985","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","et-has-post-format-content","et_post_format-et-post-format-standard"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - 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