{"id":106962,"date":"2021-10-14T09:50:21","date_gmt":"2021-10-14T09:50:21","guid":{"rendered":"https:\/\/raed.academy\/?p=106962"},"modified":"2021-10-14T16:38:07","modified_gmt":"2021-10-14T16:38:07","slug":"descubrint-caravaggio-a-roma","status":"publish","type":"post","link":"https:\/\/raed.academy\/ca\/descubrint-caravaggio-a-roma\/","title":{"rendered":"Descubrint Caravaggio a Roma"},"content":{"rendered":"

Joaqu\u00edn Callabed<\/em><\/strong><\/a>
\nPresident del Club de Pediatria Social, acad\u00e8mic corresponent de la Reial Acad\u00e8mia de Medicina de Saragossa, de la Reial Acad\u00e8mia de Medicina de Catalunya i de la Reial Acad\u00e8mia de Nobles i Belles Arts de Sant Llu\u00eds i acad\u00e8mic de n\u00famero de la Reial Acad\u00e8mia Europea de Doctors -Barcelona 1914 (RAED)<\/em><\/p>\n

Joaqu\u00edn Callabed<\/em><\/strong><\/a>, president del Club de Pediatria Social<\/strong> i acad\u00e8mic de n\u00famero i vice-president de la Secci\u00f3 de Ci\u00e8ncies de la Salut de la Reial Acad\u00e8mia Europea de Doctors-Barcelona 1914<\/strong> (RAED), comparteix amb la comunitat acad\u00e8mica l’article “Caravaggio en Roma. Un genio innovador y transgresor”<\/strong>, que va publicar a la revista “Andal\u00e1n”<\/strong> per rememorar la figura de l’artista que va definir l’estil barroc en la pintura i ressenyar diverses de les seves obres principals que es troben en diferents museus i galeries de Roma.<\/p>\n

“Caravaggio<\/strong> va ser un geni innovador i transgressor que va trencar motlles de l’\u00e8poca, molt inclinada al manierisme, i va procurar aportar en la seva pintura les idees per sobre de la pintura, la veritat com a consci\u00e8ncia del m\u00f3n i la doctrina cat\u00f2lica va ser el pretext art\u00edstic per a les hist\u00f2ries que el posava en escena. Retratava models presos de la realitat i les escenes antigues les traslladava al moment social que vivia. Buscava la tangibilitat i el moment real en les escenes pict\u00f2riques. La seva llibertat intel\u00b7lectual i la seva filosofia personal estaven silenciosament expressats en la seva pintura. Nom\u00e9s va viure 39 anys”, inicia l’acad\u00e8mic el seu article.<\/p>\n

\"Michelangelo

Michelangelo Merisi da Caravaggio<\/p><\/div>\n

Despr\u00e9s de presentar l’atzarosa biografia personal i art\u00edstica de Caravaggio<\/strong>, Callabed<\/strong> destaca el seu afany de tornar a Roma despr\u00e9s que diversos c\u00e0rrecs per assassinat l’apartessin de la ciutat eterna. Aix\u00ed mateix, assenyala com la mal\u00e0ria que va amena\u00e7ar la seva vida va marcar definitivament el seu estil. “Va ser internat en un hospital i va deixar testimoni al ‘Bacus malalt’<\/strong> de la Galeria Borghese<\/strong>. A partir d’aqu\u00ed la seva pintura va adquirir una aclaparadora c\u00e0rrega innovadora”, explica l’acad\u00e8mic.<\/p>\n

Callabed<\/strong> s’atura en les obres romanes que considera capitals de l’artista. “A m\u00e9s de la Galeria Borghese on hi ha les famoses pintures ‘Bacus malalt’, ‘Madona dels palafreners’<\/strong>, ‘Sant Jeroni escrivint’<\/strong>, una de les versions sobre ‘Sant Joan Baptista’<\/strong>, ‘David amb el cap de Goliat’<\/strong> i dels Museus Vaticans<\/strong> amb el bell quadre ‘El Davallament’<\/strong>, potser l’obra m\u00e9s estudiada i admirada de pintor, hi ha d’altres museus, galeries, esgl\u00e9sies i col\u00b7leccions no prou conegudes i divulgades on es poden veure diferents etapes evolutives de la seva obra. El Palau Barberini<\/strong>, l’Esgl\u00e9sia de Sant Llu\u00eds dels Francesos<\/strong>, els Museus Capitolins<\/strong>, la Galeria Doria Pamphilj<\/strong>, el Museu Corsini<\/strong> i l’Esgl\u00e9sia de Santa Maria del Popolo<\/strong> amplien i expliquen la pres\u00e8ncia de Caravaggio a Roma”, assenyala.<\/p>\n

En aquest recorregut personal, l’acad\u00e8mic ressenya les obres “Judit i Holofernes”<\/strong>, “Vocaci\u00f3 de Sant Mateu Evangelista”<\/strong>, “Martiri de Sant Mateu”<\/strong>, “Sant Mateu i l’\u00e0ngel”<\/strong>, “La bonaventura de la gitana”<\/strong>, dues versions de “Sant Joan Baptista”, “La Magdalena penitent”<\/strong>, “Descans en la fugida a Egipte”<\/strong>, “Crucifixi\u00f3 de Sant Pere”<\/strong> i “Conversi\u00f3 de Sant Pau”<\/strong>.<\/p>\n

Llegiu l’article<\/a><\/h2>\n","protected":false},"excerpt":{"rendered":"

Joaqu\u00edn Callabed rememora la figura de Caravaggio, en l’article “Caravaggio en Roma. Un genio innovador y transgresor”, publicat a la revista “Andal\u00e1n”<\/p>\n","protected":false},"author":12,"featured_media":107019,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[229],"tags":[],"class_list":["post-106962","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","et-has-post-format-content","et_post_format-et-post-format-standard"],"yoast_head":"\nDescubrint Caravaggio a Roma - Reial Acad\u00e8mia Europea de Doctors<\/title>\n<meta name=\"description\" content=\"Joaqu\u00edn Callabed rememora la figura de Caravaggio, en l'article "Caravaggio en Roma. 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